The film's cinematographer, Luke Montpellier, would change his shooting style as the scene changed, releasing the appropriate composure during the interior scenes of Grant and Fiona at home, like a series of stills The photos of the series are running, but while the crew is shooting on the ranch, Luke opts for a Steadicam, which has a special stabilization effect on the frame and conveys the male lead's unease very well. In order to use the special texture of the image to express human memory, Luke specially used Pollex's rocker super 8mm camera. Pollex's shooting structure will not make the picture flow, but will alternately appear translucent and urgency. , and finally use computer digital technology to carry out special processing on this part, showing the feeling of "memory"
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Away from Her About photography
2022-06-24 23:48
Extended Reading
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[Grant is talking with Fiona about her desire to move into the Meadowlake nursing home]
Grant Anderson: You're sure?
Fiona: I'm sure.
Grant Anderson: You don't want to just get a sense of the place? I don't want to make this decision alone.
Fiona: [turns and stares blankly at Grant] What place?
[Grant stares back at Fiona, aghast]
Fiona: Just kidding.
[giggles]
Grant Anderson: [grinning] Fuck off.
Fiona: [smiling, then pensive] You're not making this decision alone, Grant. I've already made up my mind.
Grant Anderson: Okay.
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[Madeleine is leading Grant down a garishly lit corridor during a tour of the nursing home]
Madeleine Montpellier: So as you can see, we get a lot of natural light.
Grant Anderson: Yes, I can see that.