Director Jean-Luc Godard , obsessed with promoting Shisanyaism , has angered conformist critics with this astute satire. Jean-Luc Godard's then-wife Anne Wiazemsky plays a philosophy student who sympathizes with the four Maoist group members on campus. Their goals are always disturbed by external factors, such as posters, red books, dogmatic carols, etc., and they always seem to be confused about the true meaning of their political beliefs. Nor can they give any ideological support to practical activities.
Jean-Luc Godard clearly took the student's position everywhere, although he tried to draw as close as possible to the traditional style of the revolutionaries in describing their frenzy.