Reds 【Henry Warren Beaty and Julie Christie】

2022-02-02 08:16
"It's gone, the Hollywood of the past is gone," Henry Warren Beaty said. "Everything's gone. I still remember Hedda Hooper interviewing me: Are you still with Joan Collins? She Too old for you. And, Warren, you should pay attention to your looks! Look at your clothes! Marriage, you should think about your marriage, Warren."
Beatty laughed, and so did Julie Christie . Then he said, "I said . Written: Think how surprising it was that Henry Warren Beaty walked into my house one morningabout marriage.
He stretched out his fork and forked a grape next to the salmon on Miss Christy's plate. This is a Japanese-style house on the west side of the U.S. Embassy, ​​where Beatty stayed for 24 hours. "At first," he said, "I couldn't take it. They told me there was no room in the east and I had to stay in the west. God, have you ever seen a living room like this? The bed is on the floor."
"But. in the past, Hollywood was always working. I don't, I can't do that. I don't make that many movies, and so does Julie. Can't make movies for the sake of making movies, but aha, I did a few. The movies, these were good movies, and they got me out of a mess. That was when I was doing Bonnie and Clyde .”
"I didn't do anything for the next few years until I felt I should work. They wanted me to do Butch Cassidy and the Sundance Kid and The Only Game in Town, but I didn't want to do Butch Cassidy and the Sundance Kid , because it's so much like Bonnie and Clyde , The Only Game in Town has a great director, George Stevens , you think, if you get the chance to work with a director like that, you'll take it."
"But The Only Game in Town is not a good movie," I said.
"Neither Butch Cassidy and the Sundance Kid," Beatty said, "but it was a lucrative movie. I had no idea my movie could make that much money."
"Did you kneel in front of Jack Warner's office and beg him to let you play Butch Cassidy and the Sundance Kid?" I asked.
"Possibly, there's a possibility. I've done a lot of crazy things to Jack. He thinks I'm a little crazy. Well, I'm a little crazy. Sometimes I think he's afraid of me, and he's sitting across from me a lot, There's a table in between. I think he's afraid I'll jump over and go crazy."
"But those old guys, it's unbelievable. Sam Goldwyn liked me so much when I was in Hollywood, he called me a lot and asked me to go to his company for lunch. I went once, lesson learned It's never to be late. I was two minutes late and he was already eating. He said, 'Warren, you don't always work. Warren! Work! You're so young, making movies, making big bucks, and it's time for me! You haven't made a movie in two years, Warren, make a movie!'" Beatty was a natural storyteller.
Julie pushed another grape to the edge of the plate, and Beatty came over again with her fork. When all the grapes and salmon had been eaten, they talked about catching an afternoon flight to New York, but it was running out of time.
"What time is the next shift?" Christie asked.
"I wrote it on here, let me see, it's one o'clock in the morning."
"One o'clock?" Christy said. "Can you arrive at three in the morning?"
Really depressing news, because Beatty and Christie got to Chicago from LA overnight and no one slept, it would be miserable for them to make it that way, and Christie had to be awake to New York because there's still a movie A new movie is waiting for her.
"You know how I feel now?" she muttered.
"I'll tell you what to do," Beatty said. "Stay here for the night and go to New York tomorrow morning."
"But I'm thinking of New York tonight," she said. "It's this evening."
"However, we missed the flight," he said. "You'd tear me apart if you got to New York at three in the morning, wouldn't you?"
"Honey," she said, "how did I do that?"
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Extended Reading

Reds quotes

  • [last lines]

    Witness: [voiceover] Of course, nobody goes with the idea of dying, everybody wants to live. I don't remember his exact words, but the meaning was that grand things are ahead, worth living and worth dying for. He himself said that.

  • [repeated line]

    John Reed: You don't get to rewrite what I write.

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