"Young Detective Dee: Rise of the Sea Dragon" still continues the official case-solving mode in "Di Renjie: Tongtian Empire", the audience only sees martial arts but not heroes. Even at the technical level, the director's long-famous sharp and fast editing of broken flowers and rainstorms was rarely used in order to take care of the 3D effect, and turned it into a large number of high-speed and slow-motion performances, and the sense of strength and rhythm of the action scenes was improved. weaken. The processing of a large number of CG shots not only liberated the camera, but also caused the unrealistic feeling of the characters' movements. I feel that Hark Tsui's films are more and more animated. At the content level, characterization has taken a back seat due to the priority pursuit of pictures and visual stunts. In the film, the actors are just pieces of plasticine, let the director knead and toss, the actors do not have moving performances, they do not create a connotative image, and they lack the power to move people's hearts.
"Young Detective Dee: Rise of the Sea Dragon" is not a classic, and there are indeed many critics, but it is also a commercial variety in the film industry. The most valuable thing about it is that it also gave back Hark Tsui's young and crazy heart. After the battle of "Dragon King of Shendu", the grand blueprint of Hark Tsui's "Di Renjie" series has emerged. Within the framework of the three elements of martial arts, detectives and fantasy, relying on the cutting-edge film industry, a series of detective martial arts films have launched an oriental fantasy journey.
"Young Detective Dee: Rise of the Sea Dragon", in terms of the texture of the building, I don't know whether it is the difference in impression or the poor workmanship. The whole film still has the rough aesthetics of the film and television base that is difficult to eliminate. The protagonist of the film has insufficient emotions, there is no love line, and he lacks inner emotions.
