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Raleigh 2022-04-19 09:02:30
"Burning": Haruki Murakami and Faulkner meet here
Recently, I watched the popular Korean movie "Burning". After watching it, I felt that there was no end to it, so I found Haruki Murakami's original work "Burning the Barn" and Faulkner's novel "Burning" mentioned in the interview by director Li Cangdong. Stable", unexpectedly found that the...
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Harrison 2022-04-23 07:03:18
"Can't get out" and "Can't hold back"
Five stars, too much to my liking.
Leaving aside the metaphors and factors of "class conflict", "underground anger" or "emotional entanglement" that the film may also involve.
As a suspense film, the film also provides at least two possibilities - one, the male protagonist Zhong Xiu suffers from...

Ban Hye-ra
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Jeromy 2022-03-24 09:02:43
2021-2-6 Rewatch. The mysterious blank space that tends to nihilism in the original work is given to the figuration of social class differentiation (class differences once again become the foothold), a large number of metaphors are inserted to provide multiple layers of interpretation space, and the ambiguity of the film and the misunderstanding of life can be integrated. . Dissolving into the father's clues / the international environment presented on TV / the request of the applicant market is more angry to provide a realistic basis, and the grafting of the front and back styles is more natural, which can be regarded as a successful adaptation. The image of the "dry well" is a typical symbol of Murakami style (and blended into other fragments of Murakami's novels). Inability to resist the mediocre life. Favorite scene: When he finally starts to write, the camera backs up and pans into the distance—as if it were all a dream, she was wiped out, and only he remembered the circular silhouette of the sky that looked up for help.
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Francesco 2021-12-27 08:02:05
A slightly straightforward class fable. Too many scraps
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