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Betty 2021-12-21 08:01:22
Some complaints
At the scene of the car crash and death, in such a remote place in the middle of the night, there was a sound engineer and a photographer. The idea of passers-by to restore the homicide through recording is a good idea, but it was a little deliberate.
Is it difficult for the villains to challenge...
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Tatyana 2021-12-21 08:01:22
De Palma's experimental works
This film feels more loyal to Hitchcock’s disciple than the debut "Razor's Edge":
"The Cry"-the third-level film; the first female victim of "The Confession" rolls down the slope; perhaps There is also the expressionism of "Doctor Edward"-in the end Jack ran up to the silhouette of the building...
Cindy Manion
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Obie 2022-04-20 09:01:49
The concept comes from "Zoom", but it is not trapped under the greatness of the former; it pays homage to "Psycho" naked, but makes the echoes of the tribute paragraphs become the finishing touch. Accurate switching of scenes, overhead shooting, split screen, play in play, 3240-degree rotating long shot, every scene is full of design sense, what kind of bicycle is needed for such a shot scheduling? (The climax does not use cross-cutting to create tension, but the closed perspective gives the suspense a sense of ritual.)
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Jedidiah 2022-04-22 07:01:32
Barely 4. The changeable camera language well renders the thrilling atmosphere, the lines and dubbing are first-rate, but the girl pig is a little bit. Really can't understand the taste of Pauline Kael. . .
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[last lines]
Jack Terry: It's a good scream. It's a good scream.
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Mixer: Jack, I need your help.
[he presents a couple of girls who all attempt a terrified scream]
Jack Terry: Keep looking.
Mixer: But Jack, what's the matter with you?