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Benjamin 2021-12-21 08:01:22
Horror movie real dying scream
Nancy Allen talks like a little girl and she is so cute and silly. Why is she always acting as a prostitute? In this film, the prostitute she plays is simple and stupid. In the end, it is still very sigh that the perverted killer was stabbed by Terry with the killer's murder weapon. Dead, but Sally...
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Norberto 2021-12-21 08:01:22
Reviews on pauline-kael
Reprinted at: https://scrapsfromtheloft.com/2018/07/17/blow-out-pauline-kael/
At forty, Brian De Palma has more than twenty years of moviemaking behind him, and he has been growing better and better. Each time a new film of his opens, everything he has done before seems to have been preparation for...

Curt May
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Murray 2022-03-27 09:01:10
This plot is too lively. . . The effect of expressionism is also quite inconsistent with the core of the film.
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Nikolas 2021-12-21 08:01:22
The best part of de Palma's media reflexion. Blow-up talked about pictures before, and Conversation talked about sound. The ingenuity of this film is that it talks about the synchronization of sound and picture from the perspective of sound. In this way, a post-Kennedy death era political conspiracy story is grafted onto the film's post-production process, and then a beautiful meta-film loop is achieved.
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Sally: Are yuh leavin'?
Jack Terry: Yeah, I gotta go, but, um, whatta yuh say when you get outta here, we have a drink sometime... hmmm - in a glass?
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[last lines]
Jack Terry: It's a good scream. It's a good scream.