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Lee 2022-05-16 23:49:37
free
It was the same film as "Sense and Sensibility" in 1995, but the two Emma Thompsons are so different. They are no longer the restrained and rational sister. Here, she is willful and stubborn. Falling in love with a cold and intelligent person, as long as he can protect him, he is willing to do...
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Keven 2022-05-16 22:12:29
stand-off love
He saw her the first thing she has a boy's body generally run in the wind
He stared at her until she's back and puts his head had not
he kissed her, but rapid escape
she pushed him away, but he fell in love with
him Holding her and holding her hand through the flowers
He
said he loved her like a...
Daniel Betts
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Leonard 2022-05-16 14:05:49
Every time I face the biopics or books of members of the Bloomsbury cultural circle, I see the lace affairs, emotional entanglements, and open, radical, bold, meaningless, and turbulent relationships of those writers and painters. They also admire their courage in doing "experiments of life" and experimenting with life. Either die or live a complicated life. The work of the female artist Dora Carrington at the end credits is unexpectedly beautiful.
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Robin 2022-05-16 13:53:19
As the centerpiece of the crowd that will appear in Ham Spray, Carrington remains a calm onlooker. In the fifth chapter of the film, Carrington looks out the window, Roger cleans Litton's beard, and Frances wipes Ralph's face in the house; Carrington stands in the courtyard quietly watching the two scenes in which people are in pairs. All feel sad. Perhaps Carrington's life, which is unacceptable to ordinary people's worldview, is just a choice she had to make when she fell in love with Litton.
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Lytton Strachey: If this is dying, I don't think much of it.
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Lytton Strachey: I tend to be impulsive in these matters like the time I asked Virginia Woolf to marry me.
Dora Carrington: She turned you down?
Lytton Strachey: No, she accepted. It was ghastly.