Grant Page

Jan 2022-02-20 08:01:16

I grew up watching Uncle Long’s movie since I was a child. This movie is even more impressive in my childhood. Nowadays, I still watch it so well, without a trace of aesthetic fatigue. I watched fights when I was young, then I watched stories, and now I watch photography. Regardless of the period,...

Mavis 2022-02-20 08:01:16

In 1997, the return of Hong Kong became the biggest hot news of the year.

Clement 2022-03-28 09:01:08

Those scenes of chasing cars and jumping off buildings were all made by Jackie Chan himself, and he took his life to shoot. When I was a child, I still thought it was very cool.

Isabel 2022-03-26 09:01:11

6/10. The design of the girlfriend and the female reporter is very thin. In addition to the role of causing accidents and being protected, whether they are necessary or not highlights Jackie Chan's mighty power of one-man action scenes. Jackie Chan is always involved in accidental murders. Running all the way, often using the knickknacks at the accident scene to lead to continuous comedy actions, such as the carriage chase scene using the high signboard to hit the thugs head-on, the door that divides the space in the construction site, the waving chainsaw and the sawing machine, the several groups of The characters gather together to form a hiding-like deal, and even if their limbs are tied, they can subconsciously react to tie the villain leader with a rope. Jackie Chan is obsessed with fighting giants, and at the end he drove the giant bulldozer used to bury people to crash into the mansion of drug dealers, showing a tenacious spirit of conquering giants. Such a crazy action rhythm makes the narrative weaken the time for creating atmosphere and describing psychology, the characters' emotions have no support, and the action itself becomes panic and has no aesthetic feeling. PS: All the pictures that a photographer or corner candidly appear in the film and television works have the effect of multi-camera shooting.