Igor Shirokov

Cullen 2022-01-21 08:01:37

Cory 2022-01-21 08:01:37

This year, the film "Tall" directed by Kontimir Barragov represented Russia in the Oscar for Best International Film (formerly Best Foreign Language Film) competition. Despite this year's strong players, as far as the author is concerned, "Tall" still has great hopes to enter the final short list...

Arden 2022-04-19 09:02:44

Want to love but why is love so passive and painful? This is the central question posed by the charismatic Slender Man. The young Balagov's answer in his restrained and poised historical melodrama is neither unique nor uncommon: because love is cold head to toe in such a twisted, complex, and hopeless scientism lie. War destroys people's bodies and souls, and seems to have taken away the rights and conditions that people have to breed happiness. Even if the ruler tells you that this is a disaster without miracles, irrational love still grows out of the gap between people. This kind of love that naturally emerges from the scar and the love that comes out of the painful childbirth in the womb finally forms a stark contrast. The irreconcilable contradiction is as striking and eye-catching as the red and green color matching. The difference between the two is that the identity, status and future of the latter are all tied to the child, while the former can live without a child, because that large dark red is the noble faith itself.

Melba 2022-03-16 09:01:07

It's a bit uncontrollable, but the characterization is very successful. "It" was born in the war and died in the depression after the war; "it" brings phantom pain like childbirth, and lingering like a scar; Abandon the cover shoe. "It" is a baby, a trauma of war, and a twisted hope. The performance adds extra points, the green skirt spinning is too beautiful and too disillusioned.