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Florida 2022-01-18 08:01:29
Analysis of Obstacles to French Films
After reading some film reviews about Truffau, there are basically two factions. One group is nothing more than new wave, scene scheduling, jumper montage and other professional vocabulary to scare people, the other group is to use a specific perspective to cut in, and then analyze to analyze and...
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Roselyn 2022-01-18 08:01:29
"Steal a Kiss": What were we talking about when we were talking about revolution in 1968
Original address: http://www.qh505.com/blog/post/5523.html
In 1968, there was a student movement, a street confrontation, a revolutionary enthusiasm, and a May storm. When it was inevitably combined with these elements in 1968, was it labeled instead? For François Truffau, the leader of the New...
Jacques Rispal
Extended Reading
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Francesca 2022-04-24 07:01:22
Trance boy, Trance is Truffaut
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Neva 2022-03-27 09:01:18
1. "The third part of the Antoine series." 2. The lonely boy in "Four Hundred Blows" grew up, worked, and fell in love. 3. Memories extend into Antoine's adult life, a series of comical plots, dramatic self-dissolving embarrassment, and making compromises in the face of life.
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Georges Tabard: Do you speak English, Antoine?
Antoine Doinel: I'm learning from records, but it's not easy.
Georges Tabard: Records are a joke. There's only one way to learn: in bed with an English girl. It's time you learned. I learned with an Australian girl while her husband was at work painting houses.
Fabienne Tabard: Like Hitler.
Georges Tabard: Don't ever say Hitler was a housepainter. That's slander. Hitler painted landscapes.
