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Ocie 2022-03-23 09:02:34
life and wealth
As soon as I heard the DuPont company, I was reminded of the DuPont analysis system I learned when I was studying. The results were carefully checked and it was really the same DuPont company. The story is still told from the chemical pollution. At the beginning, DuPont knows that the chemical C-8...
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Wayne 2022-03-22 09:02:17
Sustained exposure to C-8 has now been linked to six major disease groups: kidney cancer, testicular cancer, thyroid disease, preeclampsia, high cholesterol, and ulcerative colitis
What should I watch? are you blind? kid. Stone, my hair is as white as mine, I tell you, it's all bleached by chemicals. My cows drink the water here and enjoy the cool water. This water makes them grow bloody lumps, and then their eyes are blank. Some of them even rush towards me like crazy. They...

Jim Azelvandre
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Jimmie 2022-01-05 08:02:07
"Still here." Very moved. How to deal with injustice in this world? It seems rare to see the partners of large law firms appearing in such a positive image... There is a scene that is exactly the same as the one in "The Irishman", as if an intertextuality hints at the similarities between large companies and gangs.
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Joesph 2022-03-27 09:01:13
Todd Hines' new work is shot with calm and power, and undercurrents are surging in calm. The film recreates the difficult journey of a lawyer who has spent 20 years representing Volkswagen in a lawsuit against chemical giant DuPont. Mark Ruffalo seems to have come from the [Focus] set, but this film is more authoritative than [Focus]: the color matching of the unspoken, the color temperature and tone of different scenes (personal inner conflicts and struggles are depressing). Dipped in icy blue, and the family and social conflict scenes are shrouded in yellow-green), the overhead shot and perspective that highlights the disparity between the individual and the system, and the ironic setting of "Take Me Home, Country roads" enter. The most disturbing part of the parking lot at night is the shadowy figure in the mirror, the shaking and twitching hands under pressure, the moment of doomsday prayer before starting the car. Anne Hathaway's performance is superb enough to show the family's humiliation and humiliation throughout the long years, and Tim Robbins's righteous resignation is also a highlight moment. (9.0/10)
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