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Guido 2022-01-22 08:02:52
Bergman's film notes "Sarabond": Seeing the wind and rain in your old body
1. Once I was angry and joking like a clown, once I was sharp in experimentation like a blade, once I was peaceful and quiet like a grassland, now I am eighty-four years old, this time I try to be naked again, there is only one person in each scene Talk to another person directly, face-to-face,...
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Gregorio 2022-01-22 08:02:52
We all want to have an anna
Insufficient literacy, simple understanding, welcome to communicate.
The film felt very unique to me at the beginning. It was Marianne who broke the fourth wall and had a direct dialogue with the audience. Later, she recalled the photo and suddenly wanted to see her old lover John. Later, like a...

Julia Dufvenius
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Rocio 2022-04-22 07:01:49
Bergman's first and final work on widescreen. The emotional entanglement of three generations, wandering between life and death, love and hate, repentance, parting, and pain, Anna, who has only one photo left, is the only key that can untie this dead knot. Love is extremely difficult, but hate can be lost. In the end, tormenting each other and relying on each other, everyone is so lonely and unable to be comforted, even if they are naked, they are still separated. Bergman has been speculating in the emotional whirlpool all his life, and loneliness is an irresistible nature of human beings.
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Paxton 2022-04-23 07:04:13
From "Fanny and Alexander" 20 years ago, the seriousness has been put down, but after 20 years, the guide tube has not picked up sincerity. Truthfulness and insincere have always been the characteristics of Bergman, but this is the final work. Accidentally (but reasonably) failing to break the ego and giving more is also not allowed to see whiteheads in the world