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Nickolas 2022-01-17 08:02:57
Crystal
There are two things in the movie that move me-I am really not kind.
One is night action. Albrecht's father lied to be an armed Soviet fugitive, but he was actually an unarmed child soldier on the Soviet side. The NAPOLA students didn't know it, and shot in self-defense with fear. At that time,... -
Alena 2022-04-19 09:02:43
He turned to the wind and snow
Fiedler did not burst into anger in this silence. Seeing the youth under the ice sink into the dark river, he knelt down naked and whimpered in the snow. Perhaps the last-minute slump in boxing was his futile and powerless struggle, although it didn't make a fuss at this school. Distorted human...

Justus von Dohnányi
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Shakira 2022-03-28 09:01:11
One is on the ice, the other is underwater, the only one who is reluctant to part is crying, the only solution~!
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Wilbert 2022-04-24 07:01:22
Narcissism, flattery, and cleverness are revealed throughout. The content of the story is conventional, the characters are thin, the audio-visual scheduling is mediocre, and the ideas are superficial: if it weren't for the beautiful Germanic teenager who sold rotten meat and sold meat all over the screen, he would have thought he was watching a Korean romance idol drama at the end of the last century (laughs). The cheap literary script is mixed with a fake youth, a family ethics with a head and no end, and a random background of the times: riveting and piling up film and television elements to flatter the audience, but the script is crude: the conflict between father and son is still necessary for the plot in Albrecht, In Weimer, it is inexplicable, the role of the inspector Jaucher is redundant and unknown, so there are several close-ups, depicting the inability of the Nazi bureaucracy, the suspicious growth of the juvenile, and the innuendo surrounding the sacrifice of Gladen. The most unbearable, the famous Nationalpolitische Erziehungsanstalten is actually portrayed as less than boys' scout... Director Dennis Gansel's creation before "Die Welle" is so insincere. Max Riemelt and Tom Schilling used practical actions to prove that the taste period of Germanic beauty is limited, so let's add a star to commemorate it.
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Christoph Schneider: Pull yourself together!
Albrecht Stein: Pull myself together? Do you know what we just did? You shouldn't have shot! You shouldn't have shot!
Tjaden: I didn't give the order. Your father said they had guns!
Albrecht Stein: Why are you looking at me like that?
Friedrich Weimer: I'm not looking at you.
Albrecht Stein: I know what you're thinking. Don't look at me like that!
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Albrecht Stein: [reading from his essay] "As childish as it sounds, the winter time and the sight of freshly fallen snow always fill us with inexplicable joy. Perhaps because as children, we associated it with Christmas. I always imagine myself the hero who killed dragons, rescued virgins, and freed the world from evil. As we went out yesterday to find the prisoners, I felt like that little boy who wanted to save the world."
Vogler: Albrecht, stop.
Albrecht Stein: But as we returned, I understood that I am part of the evil that I wanted to save us from.
Vogler: Albrecht, stop.
Albrecht Stein: Shooting prisoners is wrong. They were not armed, as Governor Stein told us, to incite us. We didn't shoot men, only children.
Vogler: Out!