Michelle Renea

Watson 2021-12-26 08:01:07

David Lynch's latest movie "Inland Empire" hasn't been watched yet, and he has praised his predecessors "Mulholland Road" and "The Wilderness of the Night". After reading an introduction, his new work is still chaotic in time and space, with dreams intertwined with reality, challenging people's...

Annette 2021-12-26 08:01:07

In front of the huge painful empire constructed by the film, there are two ways to read it. The first is to reduce it to an audio-visual experience, which can only be felt inexplicably, and exaggeratedly, it is "this is great because we don't understand anything." Therefore, we quickly classify...

Aron 2022-04-23 07:02:53

Obscure and difficult to understand, the split world of two women is the interweaving of four threads. . . Too late~

Irving 2022-03-26 09:01:08

As a functional photographic medium (news/surveillance video), DV is inherently true to film film, but its rough texture strengthens its artificiality; the visitor's monologue at the beginning is the passage into the film: "tomorrow" is "yesterday", Lost in the "bazaar" and leading to the "palace" through the "alley" (Axxon N.), the protagonist Nikki embarks on an odyssey of possible worlds superimposed in time and space; the story starts from the unfree Hollywood stereotype, and ends with The spiritual song of redemption and liberation ends, and people continue to incarnate into others, but it is by no means a "character arc" that evolves with the plot (because time is not directional!), but follows a certain unpredictable "pure yes" (Being ) The logic of self-organization, the evolution of logic that allows to take place in circular space-time, to communicate with different worlds and to discover the self in them - they turn out to be equally real. Or am I blending in? Because difference can only be understood by grasping the identity; and if that image is not real after all, ask yourself, "Why hasn't everything disappeared?"