Paul McIsaac

Raphaelle 2022-03-21 09:01:02

There is a preface to Jin Yong's collection. The preface said: "Novels are written for people. The content of novels is people." Extending Mr. Jin Yong's words, we can say, "Art is for people. The content of art is people." As one As an art form, the core of film art is naturally human. No matter...

Ida 2022-04-21 09:01:02

This is how I like life. After enjoying all the glory and wealth, it ends badly. I like the way they make money. There are huge risks to make a lot of money, but after getting the money, you can live a cool life and do what you want to do. Because of their gang status, ordinary people around them...

Neil 2022-03-26 09:01:01

Sure enough, I have no feelings for gangster movies. The godfather was able to impress me completely because of his father-son relationship. He didn't have any good feelings for the family. He did some conscientious things and finally survived by betrayal. I have seen the most disgusting protagonist.

Zita 2022-03-26 09:01:01

Lao Ma opened a brand-new street gang movie mode. The first half fully mobilizes and satisfies people’s fantasies about gangsters. The characters are promoted and made fortune all the way. They speak loyalty, respect, change women, and do whatever they want regardless of the consequences; the second half is Suddenly, violence, drugs, marital affairs, assassinations, and betrayal are trapped in a quagmire. Brotherhood and organizational desires collapsed, forced to return to reality and suffer karma. The plot uses a murder as a turning point. The cruel killing is brought to the beginning, and the cause and effect will be revealed later. It is just an ordinary quarrel made by more than one bullying, but the fate of the main character has changed as a result, and Joe Pessi has nothing to do. The warning's sudden death shattered people's romantic fantasy of the Mafia, and replaced it with the helplessness and fear of being imprisoned. Several classic scenes worthy of recollection, impromptu performances on Joe Pessi's table, long shots of Leliotta going to high-end restaurants, and gorgeous scheduling of cooking and cutting vegetables in prison. Lao Ma presents the extreme level of his peak period, fast editing, fixing frames, narration, inserting long shots, super high narrative efficiency, perfect scene scheduling, everything is impossible to find