Tetsurô Tanba

Tetsurô Tanba

  • Born: 1922-7-17
  • Height: 5' 9" (1.75 m)
  • Extended Reading
    • Camila 2022-04-20 09:01:48

      Incision, the end of the samurai

      This is a movie full of the spirit of Japanese Bushido. The spirit of Bushido that is still not forgotten by the lower-level samurai is in sharp contrast with the spirit of Bushido that was lost by the upper-level giants. It is a pity that the true representative of the spirit of Bushido, Tsuyun...

    • Demetrius 2022-04-23 07:02:33

      In the 1960s, the significance of the era of "cut belly"

      Friends who have a little knowledge of Japanese film history will know that the era of samurai movies (period dramas, jidai-geki ) has the highest status from 1927 to 1944. Yes, it was the most powerful period of Japanese militarism. Loyalty, martial arts, and nationalism in traditional samurai...

    • Janiya 2022-03-28 09:01:04

      There is a story within a story, and there is a truth behind the truth.

    • Lea 2022-03-23 09:02:10

      [A] In terms of literature, apart from the excessive colloquial narration, "Cut the Belly" is unusually aggressive on the whole. The "Bushido" spirit that spent a lot of time in the early stage to build and backlog was fully released at the end. , ushered in a dead end of hacking and killing, but at the last moment accurately pierced the key point of this spiritual core. In the image, the composition and the use of a large number of off-axis shots subtly construct a deep relationship between the character and the architecture, as well as morality. The duel on the grassy slope was even more great, with ancient pagodas, weeds, strong winds, sword lights, and the postures of the characters. Kobayashi Masaki succeeded in condensing the countless "environments" under the "space" into a scene full of ritual. In the combination, it exudes an artistic conception far beyond the environment itself. The expressive meaning of these lens languages ​​has also been widely studied and paid tribute by latecomers (such as the duel in the cemetery at the end of "The Good and the Bad"). The morality of the samurai is used as a tool, the tragedy of the family is ignored in the laughter, the slashing of the abdomen to defend the dignity is ended by the musket, and the broken puppet is pieced together again, hidden in the white mist called "power", Trembling.

    Hara-Kiri quotes

    • Hanshiro Tsugumo: The greatest delicacies taste of nothing when one dines alone.

    • Kageyu Saito: The ronin from Hiroshima, Hanshiro Tsugumo, committed hara kiri. All our own men died of illness. The house of Iyi has no retainers who could be felled or wounded by some half-starved ronin.