Yôko Tsukasa

Yôko Tsukasa

  • Born: 1934-8-20
  • Height: 5' 3" (1.6 m)
  • Extended Reading
    • Reggie 2022-02-25 08:01:57

      autumn and

      Ozu's color films always feel that there is a different kind of beauty and charm in them, and the story of marrying a daughter shows a touch of helplessness against the background of warm family ethics. From widower marriage to widow marriage, what remains unchanged is Ozu's beautiful pursuit of...

    • Scot 2022-02-25 08:01:57

      Dilemma about reality

      Ozu is a master of silence, and from his films you can imagine how he paces, talks to you, and even observes a person.
          Of course there are gatherings and laughter, but sadness slowly rises from the heart, and when you calm down for a while, you will think of how lonely you are - husband and...

    • Britney 2022-02-25 08:01:57

      Ozu's colorful version of Married Girl had two casting "accidents": Haruko Sugimura played the role of daughter in saury; Setsuko Hara played his mother in Autumn; the apartment where the widowed mother/daughter lived together was completely copied from saury. The kind of sons and daughters-in-law, but the three old classmates of the deceased husband are all traditional single-family homes, and some are even equipped with servants. In this way, Ozu hinted that "life without a man is more difficult"; Fumiko declined to propose a marriage but objected to Fujisho's goodwill after the accidental meeting. Ozu usually sets the meeting place in the office of a large company. Perhaps it is an expression: work and love are not opposites? Another important role is standard, old men who prefer to drink as a matchmaker and make fun of female shopkeepers with boring jokes. This time, they have a deeper chance to intervene in the main line. The charming widow makes them secretly in love have more reverie, and leads to the most important part of the film. A satirical narrative element - the pipe. "Aren't you itchy? Scratch it with it!"

    • Wallace 2022-03-15 09:01:10

      Sure enough, Harajiko with a fleshy nose is the most beautiful under the lens of Ozu. In this color film, Ozu just used false setting, green color (the color of the scene is very uniform and new), and the ratio of hard light to high light to create a black-and-white film texture dominated by light and shadow, with well-defined edges and corners. Such Ozu is indeed reminiscent of his followers in Finland, Kaurismaki~ The three males act as harlequins. The accident disrupted the originally peaceful mother-daughter family, but unexpectedly made the seemingly peaceful mother-daughter untie the knot, and the daughter unloaded the psychological burden to get married - is it over? not at all. At the end is the lonely and strong figure of the mother, repeating the mistakes of Setsuko's own words in the Tokyo story. The dead knot of the family concept in the Han cultural circle seems to be forever elusive and inexplicable.

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    Late Autumn quotes

    • Shuzo Taguchi: Who told you that?

      Nobuko: You did.

      Shuzo Taguchi: I said that? When?

      Nobuko: When you were drunk, celebrating Yoko's birth.

      Shuzo Taguchi: Really? I said that? I used to be so honest.

      Nobuko: Yes, more than now.

    • Akiko Miwa: Mr. Taguchi is very amusing.

      Soichi Mamiya: Too amusing! Everything he touches turns into a farce.