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Eriberto 2022-03-25 09:01:23
Fellini's Roman Empire style paintings are reminiscent of Pasolini during the life trilogy. The young Enke's travels in the lustful Rome (another road movie), showing the customs of the ancient Roman Empire from his perspective, the movie is more of a spectacle display (a noble's luxurious banquet, jade body Hengchen public baths, Colosseum gladiatorial fights, funeral ceremonies), the plot is slightly looser. The whole film is filled with a staged atmosphere, both from the setting of the scene...
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Taurean 2022-03-25 09:01:23
I didn't read the introduction in advance, and I'm confused about the second part tonight... There is confusion about the myth or the fictional background of ancient Rome. What I see is the familiar composition from "The Sweetness of Life", and the colors in "Giulietta". The collocation can almost be related to a general theory: Fellini wants to use the movie to create a "god", which corresponds to the gradually "appearing devil" in the previous works Giulietta and Toby Dammit. The mask below,...
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Kennedi 2022-03-25 09:01:23
Worse than "Nie Yinniang", and some of Bertolucci's "Stealing Fragrance"! After Italian directors have dried up their creations, they all fantasize about being able to rejuvenate...
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Sam 2022-03-25 09:01:23
The brains are basically all given to the lines, but there is no need to think about it. The dialogue is as meaningful as a line of poetry. All the rhetoric, symbolism, imagery and metaphor make up this picture that is so real that I can't swallow it. The taste of the original ancient Rome of bear meat. Suddenly, I thought of Borges's description of his little poem: "A poem that is both beautiful and meaningless." - "As sweetness dissolves in sweetness, and joy is immersed in joy." This film...
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Bill 2022-03-25 09:01:23
The narrative is very much like One Thousand and One Nights, where a flower of imagination was created in the history of debauchery. Fei Fei used his wild imagination, making the picture like a flowing feast, full of lust and appetite, but its look and feel It's not pornography, it's like the daily life of ancient Rome, like the characters at the end turned into murals, and the temperament of the entire movie is like a work of...
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Roselyn 2022-03-25 09:01:23
In fact, the focus is on the core of tragedy, that is, even if it is black joy, it must be extremely sad, more pessimistic than ordinary tragedy. The problem of Wang Xiaobo lies in his constant overthrow and internal reduction. In reality, it does not constitute the power of tragedy, but Ferry Ni is different, I think the difference is here, that you ultimately boil down to pure and pure love, OK is no problem, but the front lacks the true core of tragedy and the strength of black joy. These...
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Karlie 2022-03-25 09:01:23
dislike. It doesn't hurt to not read the subtitles, there's nothing worth mentioning anyway, but look at the vulgar and indulgent spectacles of the set costumes and Fellini's hobby, weird and crazy out of place, but put it in the context of the 60s and 70s for hippies, Probably...
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Toney 2022-03-25 09:01:23
Fellini managed to make the nation great without adding any emotion, projecting huge shocks in calmness, and restoring people and things in ancient Rome in a fantastic way. It is rare for people to be in a state of madness. The lewd scene reminds me of King Zhou in the 1990 TV series "Fengshen Bang"....
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Carmine 2022-03-23 09:03:28
The film is adapted from a novel from the first century AD, and the author is a close friend of the famous Roman emperor. Fellini is really a typical Aquarius. He used extremely weird imagination to show us the life of ancient Rome in his eyes, with exaggerated shapes, dramatic performances, and various dances of demons. I just stared at it. It is also the grand poetry and ambiguous imagination of his works that make him the most outstanding representative of European film art after the...
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Teagan 2022-03-23 09:03:28
Fellini's more unique film, this one is reminiscent of PPP. Opel has no subtitles in many...
Fellini Satyricon Comments
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Hazle 2022-03-13 08:01:01
The Myth of Love: We Love the Living World
Original address: http://www.qh505.com/blog/post/5475.html
The friend Ashdo had grown old and finally fell in the desert; the poet Omope could no longer write poetry, he left a legacy of freedom - while death kept coming, it was new to Nkopi. The beginning: Ashdo died in the desert, and the...
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Jasmin 2022-03-13 08:01:01
Those are the scars that life leaves on life
Encolpio raced excitedly over the wilderness, excited by the urge to regain his life. At this point Ascilto was dying.
"Light" has nothing to do with the naked eye in the mystics' understanding, because true clarity does not submit to the natural truths that manipulate this world, and clarity...
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Eumolpo: Listen, I have a friend here, uh, just between us, whose sceptre isn't working. He was quite proud of it, as you can understand.
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Encolpio: We've got to be happy now. I want to make up for lost time. The flower of youth withers so soon.