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Michael 2022-03-15 09:01:06
This kind of film best reflects the charm of French films, with metaphysical disputes over literature and morality, and with just the right suspense plot. Of course, such a chaotic relationship can only happen in France. There are also same-sex and Chinese elements that are indispensable for famous director blockbusters. PS: Why do the recent European and American movies have to go to China at the end?...
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Deja 2022-03-15 09:01:06
Is it true love at the end of the...
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Jazmin 2022-03-14 14:12:26
I watched this movie too cool, okay! ! ! There is a nice aunt between xavier dolan and me! ! Then the movie itself is so handsome! ! There is a small Zhengtai who should be a minor in it, but the performance is too tempting. Orz's charm is almost equal to those uncles who have been practicing for n years. . . Of course, the endings of ozon's movies are weird and uncomfortable, but the movie is really beautiful! ! powerful! strong! push!...
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Haven 2022-01-16 08:01:17
We can do anything in order to catch...
In the House Comments
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Dwight 2022-04-19 09:02:43
Eyes intertwined with desire
At the beginning of the film, Claude's family environment was introduced. When his mother left home when he was young, he took care of his disabled father by himself. And this background also implements Claude's behavior throughout the play, the complex of Oedipus and Electra, curiosity and desire...
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Amanda 2022-04-19 09:02:43
The space container of the genius Ou Rong, the next dangerous "unfinished" fictional journey.
There are three sets of angles, Claude and Raphael and the Raphael family, Claude and Gilman, a French teacher, and Gilman and his wife Jenna. First, Claude narrates the main body, Gilman and Jenna are in the position of pure readers; then through the behavior of stealing the test paper, Gilman...
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Claude Garcia: But I love you.
Esther Artole: No. It's not me you love. It's an image. An image in your head.
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[last lines]
Claude Garcia: To be continued.
