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Eleanora 2023-08-11 01:38:18
A dinner party that can never be eaten, a road that will never end, the film not only reflects the bourgeoisie, but also all kinds of social problems. The splendid appearance of the bourgeoisie is like an exquisite dinner party, which is just a show for others to see, while the people of the bourgeoisie are cautious in life everywhere, and finally evolve into all kinds of nightmares in the movie, and they are full of anxiety. This one by Buñuel, Fellini's Dolce Vita and Renoir's rules of the...
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Jacklyn 2023-08-02 15:24:56
Buñuel has used surrealism to the extreme. The dreams that have nothing to do with the plot inserted in the film have no sense of incongruity. While using realism to expose the ugly face of the bourgeoisie, the display of dreams is more like It is the gushing out of human...
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Kaia 2023-07-30 21:49:13
The appearance is serious, the inside is too rotten, there is no food to eat, the sin is very heinous, even if you want to eat, you can make a joke of the entire European civilization, laugh at your hypocritical middle class, and have already pushed human civilization into the abyss. Newell's heart is clear, he has no thoughts of modern civilization, the revolution fails, the class is corrupt, and even his desires cannot be satisfied, and religion has never been the destination of human beings...
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Jessyca 2023-07-29 15:20:55
bourgeoisie, class, prudence,...
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Cameron 2023-07-26 15:25:29
When I first became interested in movies, this film made me call out with excitement: "Movies can be made like this." I watched it again now, and it remains the...
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Eleanora 2023-07-11 02:07:50
Six people are one person, and the end of the road is still the road - a deep inner...
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Robin 2023-07-04 01:33:09
4.5, the first Buñuel feature film, was a satirical play at first and a restless dinner party. The filming of several paragraphs is quite good. The combination of black humor and reality and the use of noise. Later, I don't know when the dream started. At first, it seemed like a superficial dream, and finally it turned into a cross between reality and fantasy, which is difficult to understand. So that the end is out of focus, the only flaw is a bit of blur, especially the front...
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Jacklyn 2023-06-01 21:45:36
In Deleuze, the impulses of man are repeatedly created, and the impulsive man is a fragment, a beast, a humanoid, captured and devoured by the force of the impulse. There is a never-ending road in the movie. Everyone thinks about their own moves while walking. This is the reality of this...
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Jacques 2023-05-31 17:24:50
Movies organized with concepts. A playful mockery of Bourgeois. A group of people walking on the road is really the least symbolic scene in film history with a symbolic...
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Romaine 2023-05-30 06:39:29
1973 The 45th OSCAR BEST FORIEGN PICTURE.
The Discreet Charm of the Bourgeoisie Comments
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Tamara 2022-09-13 03:33:28
The discreet charm of the bourgeoisie
The six protagonists represent the bourgeoisie, the dinner party represents their hedonistic but decadent life, and the meat is the embodiment of capital. The six people walking on the road symbolize their state of mind, with no goal and no direction. 1. Three Characters Bishops Bishops are priests...
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Zachariah 2022-09-13 09:43:09
The anxiety of bourgeois disguise
I didn't quite understand it the first time I read it, but today I discussed it with my friends in detail, and sorted out my thoughts here.
Let's start with the poster. The poster is a good reminder of the film's theme: the mouth represents the recurring "eat" in the film, symbolizing desire. Desire...
The Discreet Charm of the Bourgeoisie quotes
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[François Thévenot has unknowingly interrupted an illicit rendezvous between his wife and Rafael Acosta]
M. Thévenot: Coming home with me?
Simone Thévenot: Yes.
Rafael Acosta: No, no, wait. Let her stay just two minutes more. I must show her the sursiks.
M. Thévenot: What?
Rafael Acosta: The sursiks.
M. Thévenot: Ah, yes. I'll wait in the car.
Simone Thévenot: I'll come right away.
[François Thévenot leaves]
Simone Thévenot: What are sursiks?
Rafael Acosta: I don't know. It doesn't matter. Come quick!
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Rafael Acosta: You're better suited for making love than for making war.
The Discreet Charm of the Bourgeoisie
Director: Luis Buñuel
Language: French,Spanish,Latin Release date: October 22, 1972