The Life of Oharu Comments

Dedrick 2022-03-19 09:01:09

The film’s storyline is basically faithful to the original, but the heroine Achun’s character and details are quite different. The original Achun is a slutty woman, and the film’s Achun should be said to be a feudal society that despises women. Victim. The director of the film is Japanese film giant Kenji Mizoguchi. His films always take the female standpoint as the starting point and criticize the domineering male feudal...

Lacy 2022-03-19 09:01:09

Subject: The men who really love her are all lower class and unfortunately eventually. The men who possessed her were all high-ranking officials, and they chose to abandon her. Space: Through the scheduling of steps, stairs, etc., the overstepping of classes and the reversal of power are realized. Sound effects: the drums of the temple and the chords of the shamisen are drawn out respectively, showing the past memories and the future. The silent handling of the section where I met my son is...

Damon 2022-03-19 09:01:09

The corner of Achun has changed from the lust-seeker in the original work to the feudal victim under the mirror of Mizoguchi. She is still a woman with ill-fated fate, still a slow and stagnant lens, tolerating the rich taste of Yamato. 52 Venice International...

Greyson 2022-03-19 09:01:09

5- @打浦桥 You’re crying in less than ten minutes, but it’s hard to get in afterwards--More depression angles, less single-mindedness. There is compassion and no kindness. He didn't know the straightness of music in his life, and the five hundred arhats were all in vain. Two chases are remarkable: the light and shadow of the bamboo forest, and the rapid string of the corridor. At the age of forty-three, Tanaka Kindai's acting skills are highlighted: Jasper's time is like a girl's heart, like the...

Christina 2022-03-18 09:01:07

Criticizing the creation of works of feudal ethics, a common misunderstanding is to imagine characters whose ideology is superior to the times. This is true of Qiong Yao's works, and the same is true of this film. In fact, Ihara Nishizuru's original work is reliable. The heroine deviated from ethics because of the unusual sexual appeals of ordinary people, rather than the freedom of personality expressed in the film. No matter what the background of the era, Mizoguchi-san would force a...

Vergie 2022-03-18 09:01:07

This kind of story is really suitable for Mizoguchi...

Charlotte 2022-03-17 09:01:08

Lecherous generation!...

Jean 2022-03-17 09:01:08

The vicissitudes of Japanese folk music in the last part of the movie is really shocking. It is difficult to understand that there have been some philosophers since ancient times, and writers have maintained the concept of respecting men and women. Men and women are just two attributes of human beings. How many ant-like living women have been born by the system of ignorance and contempt? Fortunately, this era is relatively progressive and...

Aditya 2022-03-16 09:01:07

The world is fickle, and only women's path of sadness never ends. Mizoguchi Kenji’s Nishizuru generation is destined to suffer from countless kinds of female suffering, but her heart is pure after all. Ten stages of trauma: expelled because of the relationship with the "inferior"; selected by the lord as a concubine and used as a reproductive tool to be discarded (combined with stage 9 homogenous in [死命剑]); sold by his father Entering a high-class brothel, encounter fanatics who counterfeit...

Juston 2022-03-16 09:01:07

The tragic story of women, Mizoguchi Kenji's powerful criticism of feudal society, and Tanaka's gestures are beautiful. This film can be regarded as the mentor of "The Life of the Disgusted Pine...