Transit Comments

Cleve 2022-04-16 08:01:01

A cliché under a novel structure. Compared with films of this type, it will look better, but the large monologue is detracting from the narrative, although it serves to complete the narrative. A smarter essay. But it is not known whether it is felt. #21st Shanghai International Film...

Beulah 2022-04-16 08:01:01

3.5 I don't like the setting of this time and space dislocation, it is very disturbing to me. The story is so twisted, and the long narration is annoying. I think the children's song sung by the male lead is a little...

Zula 2022-04-16 08:01:01

A man flees the horrors of the Nazi Empire under the guise of a suicide writer, only to meet his wife in the modern port of Marseille, and he is caught between secret love and continued absconding. The film focuses on depicting the characters' survival intuition and fragility and hopelessness in a stranded state. The director incorporates conventional themes such as symbolic ghosts, constrained spaces, and mobile identities into discussions about the repetitive moral failures that make up...

Grady 2022-04-16 08:01:01

It is still a Samsung with more emotion than reason. First of all, it cannot accept the background of World War II to modern times, so it is difficult to substitute into the story. Secondly, "Will you come with me?" There are too many decisive choices, so that the so-called god-level turning point at the end came out. I clearly heard the reporters express the "cut~" in various languages. interjection. A very typical failure that doesn't know how to subtract, the field journal 2.2 is quite...

Drake 2022-04-16 08:01:01

#Berlin2018# I can get another 9 points (it feels like the way to win the director award again...) It is simply nerve-wracking to place the World War II story in the current space and deliberately confuse history and reality (even with a refugee stalk). The stroke of a knife? After being stunned, I suddenly realized. The overlapping of sound and picture and the repetition of various elements seem like...

Clemens 2022-04-16 08:01:01

Four and a half stars. Petzold moved Anna Seggs's original work to a contemporary interpretation, and most of the time you will be in an illusion, is this a bitter documentary of refugees? Or a love triangle loop? However, this commonplace, but in the ingenious advancement, it glows with infinite brilliance. The unconventional choice of the ending has shaped the ultimate sublimation of the routine, which is...

Kayleigh 2022-04-16 08:01:01

Putting a World War II story into the current shooting environment, such as a character escaping a Nazi hunt, might pass a Nike store, distilling the European refugee issue, wrapped in a suspenseful story of finding identity and love. Petzold's precise narrative skills are like looking for a needle in a haystack to find the delicate balance in this contradictory setting and story, and it seems so natural, smooth, seamless and...

Melyna 2022-04-16 08:01:01

Pretend to force the criminals to babble again and again, collectively...

Roslyn 2022-04-16 08:01:01

The time ambiguity caused by the setting of the World War II story in the current environment leads the viewing psychology to constantly oscillate between the thrilling history of Jews fleeing during the occupation period and the encounters of refugees in the Middle East today; but Petzold is still too persistent in presenting the complete melodrama. In the era of generally disparaged as a dog-blood TV series, this insistence does not please film critics, but it also single-handedly continues a...

Ludie 2022-04-16 08:01:01

Three and a half. European people's love for immigration is at an all-time high, and even though the film is set in World War II, allusions to the present are omnipresent. The refugee male protagonist who fled to Marseille steals the identity of the dead writer, but finds that his life is no longer inseparable from the lives of others, and his infatuation with the writer's beautiful wife makes him struggle on the edge of torture of his soul. Video tribute to Harun...