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Era 2022-04-12 09:01:11
The detail design is ingenious: the night when Rey got Tistana, the camera moved across the hall to the room, borrowed Rey's hand to close the two doors, and reminded the audience not to peek; Tistana first leaned over and put on slippers for Rey and then threw it directly into the garbage Barrel, break free from control; Tistana is naked on the balcony to show the deaf boy, and the subsequent cut is the Madonna, contrast. The final montage is retrospective and reorganized, how did Tistana make...
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Eldora 2022-04-11 09:01:07
Endless Possibilities of...
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Ofelia 2022-04-11 09:01:07
Franco Nero plays a vase in...
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Creola 2022-04-11 09:01:07
Tristana's subsequent series of actions must have satisfied the dark thoughts of...
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Ali 2022-04-11 09:01:07
Catherine Deneuve was really beautiful when she was young, she was even more beautiful than the beauty of the day, a master film is a master film, ramble, Buñuel wants to black out the bourgeoisie before giving up...
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Gladyce 2022-04-11 09:01:07
The first fifty minutes were mediocre, without a lot of surrealism, and the narrative was a little bland. It was not until Tristana's return that the exchange of identities between the two made...
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Ilene 2022-04-11 09:01:07
The old cloth pieces must be topped. However, the plot of this one is weak, not as good as the beauty in the...
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Andreanne 2022-04-11 09:01:07
Incest, prosthetic limbs, head hanging under the clock, Deneuve's wicked smile, this is perhaps Buñuel's darkest...
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Kacie 2022-04-11 09:01:07
The story is very ordinary, and the translation is really bad, I wanted to give 1 star. But seeing the flashback of the last scene, I unknowingly fell in love with this rhythm. The characters in the film speak broken English, and their blunt movements and expressions bring a grim reality. The bell of death, the bloody pendulum, is creepy. Sometimes I have to admit that the movie also has a rhythm, this is the unique rhythm of the master, the rhythm of...
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Lillian 2022-04-11 09:01:07
Buñuel's female trilogy is the most understandable and most verbal, and at the same time can clearly see the stylistic shift towards later...
Tristana Comments
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Junius 2022-04-07 08:01:02
ambiguous
Tristana seems to be an outlier in Buñuel's work. In 1970, Buñuel was in his late stage. He had previously made "Beauty in the Day" and "Galaxy", and this film was followed by "The Discreet Charm of the Bourgeoisie" and "The Phantom of Liberty", artistically speaking At the time when his surrealism...
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Dr. Miquis: [the doctor cheerfully enters Tristana's room; Saturna and Don Lope are standing by] How is my favorite patient?
Saturna: Worse than ever, doctor.
Dr. Miquis: Leave me alone with her.
[Saturna and Don Lope leave the room]
Dr. Miquis: How are your spirits, Tristana?
Tristana: I had a temperature last night. I'm very ill, aren't I? Tell me the truth.
Dr. Miquis: [confidently] I've told you before that this is a common case. It's painful, but that will soon pass.
Tristana: A few days ago, I wanted to live. Now I'd rather die.
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Don Lope: [Saturna and Don Lope are downstairs, awaiting word from the doctor] She's in a very bad way.
Saturna: If you'd let me put on a poultice, she'd be feeling better.
Don Lope: Don't talk rubbish!
Dr. Miquis: [the doctor comes down from Tristana's room] My dear Don Lope, we are faced with what I feared. Tristana is very ill. We have to speak clearly.
Don Lope: Go ahead and tell me.
Dr. Miquis: She is suffering from blood poisoning. We have to operate... to amputate her leg.
Don Lope: The poor girl... She'll be horribly mutilated... When?
Dr. Miquis: We can't wait another day.
Don Lope: What science is this when the only cure is amputation! Find some other way... Cut off both my legs if you want!
