Budget
$15,000,000 (estimated)
Gross US & Canada
$3,675,201
Opening weekend US & Canada
$212,710
Gross worldwide
$3,703,548
Budget
$15,000,000 (estimated)
Gross US & Canada
$3,675,201
Opening weekend US & Canada
$212,710
Gross worldwide
$3,703,548
Movie reviews
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By Demetris 2022-04-22 07:01:10
A movie worth watching a second time ❤️
?"Frightening Night" / 1997 / David Lunch
The plot may seem chaotic, but once you straighten it out, you'll find that whether it's the shots, the story, or the logic, the clues are obvious. About half an hour into the film, after Fader was in prison, I thought the film was coming to an end. In the end, it was just cloudy and foggy. All kinds of speculation, split personality? Flashback method?
David Lynch has weaved a huge web—constantly disoriented and disoriented. Are you...
By Junius 2022-04-21 09:01:47
Are things that real people can't do for people in dreams to do, or things that people in dreams can't do for real people to do? Does reality escape into fantasy, or does fantasy make reality come true? How much longer do people spend in fantasy than in reality? Close to infinity? (Studies have shown that the real time of people's dreams in sleep is no more than 3 seconds) Is there any person who can be mentally powerful enough to imagine a complete world in a short period of time (although we...
By Orland 2022-04-21 09:01:47
The first time I saw David Lynch was Blue Velvet, it seemed to be Mulholland Road after a year, and the third one was The Night of the Monster. Looking back now, I will always be deeply impressed by the image world created by David Lynch.
I don't know if what I thought of "Frightening Night of the Monster" is right or wrong, just a little bit of my own feelings.
By Deron 2022-04-21 09:01:47
Interpretation of the plot of LOST HIGHWAY
There is no doubt that, like Mulholland Drive, this film is also one of the masterpieces used by psychoanalysis in the film. For this reason, I specially turned to Freud's Interpretation of dreams, and then made a review of this film.
First, as the name suggests, Highway is the central thread of the film, appearing at the beginning, middle, and end. I started to analyze the film from the end of the film where the male protagonist was chased by the police.
The male protagonist is...
By Juana 2022-04-21 09:01:47
Even movies like this have stories
This is the story of a desperate man. The collapse of a man starts from the spiritual world first, and the building of the mind slowly collapses little by little. He must go beyond the truth and save himself with fiction.
He spent his early years in a small town in the middle of the United States. He is in his twenties and his parents are still as fit as he is, wearing jeans and a leather jacket. He's got a job he's doing really well - fixing cars, he's got some friends who hang out,...
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By Darian 2023-08-14 22:01:06
Freud never imagined these bizarre scenes in his life, and Lynch showed them in the form of a movie. The music in the film is also enough to illustrate Lynch's unique taste. Manson's Apple of Sodom is accompanied by a flurry of insects, which makes people feel like a hundred claws scratching their hearts. Let's experience the effect for...
By Arnold 2023-08-11 07:35:01
It's actually a bit more obscure than Mulholland Drive, and it's clear after reading the movie reviews. Lynch's eerie atmosphere is still excellent, I'm scared to see it in broad...
By Izaiah 2023-07-02 11:49:00
The viewer said she felt anxious and disorganized. And with the air-conditioning on so much, she forgot to bring a...
By Amiya 2023-05-31 11:50:47
Only Master Lin can make a thriller filming with anxiety and sleepiness at the same time. Master seems to prefer girls with black and blond hair. This is, Mulholland Drive is...
By Jakayla 2023-05-09 02:31:11
This film is suitable for watching the drug-like midnight driving at night, it's so fucking...
Arnie: Pete! Where've you been? It's really good you're back! A lot of people are gonna be happy that you're back, including me!
Pete Dayton: Well, it's good to be back, Arnie.
Arnie: Mr. Smith is waiting for you.
Pete Dayton: Sure, I'll take care of him.
Arnie: And Mr. Eddy called every day asking about you. Can I call him and tell him to come in?
Pete Dayton: Sure, call him. Tell him to come in and I'm ready to work.
Arnie: You're ready to work?
Pete Dayton: I'm ready to work.
Arnie: [to the other garage employees] Pete is back!
[Pete, disturbed by the saxophone music on a radio, switches the channels]
Phil: What'd you change it for? I liked that.
Pete Dayton: Well, I don't!
Phil: I liked that.
Bill Dayton: The police called us today.
Pete Dayton: What'd they want?
Bill Dayton: They wanted to know if we had a chance to find out what happened to you the other night. And they wanted to know if you remembered anything.
Pete Dayton: But... I don't remember anything. What'd you tell them?
Bill Dayton: [after a long pause] We're not going to say anything about that night to the police.
Candace Dayton: We saw you that night, Pete.
Bill Dayton: You came home with your friend, Sheila.
Pete Dayton: Sheila?
Bill Dayton: Uh-huh. There was a man with you two.
Pete Dayton: What is this? Why didn't you tell me anything? Who was the man?
Bill Dayton: I've never seen him before in my life.
Pete Dayton: What happened to me? Please Dad, if you know, tell me.
[Bill and Candace sorrowfully look away from Pete]