Maybe heartbreak is the most beautiful form of love

Cyrus 2022-04-22 07:01:07

"Call Me By Your Name": It felt like "Morris" everywhere, but it was discovered that it was a script adapted by James Ivory. The film is full of beauty and vividness. In the late 1980s, Jewish families settled in Italy, magnanimous and happy, and the haze of Nazism has long been dissipated. The story is not too painful, just gossip and a few eyes, and the third-party perspective with mostly medium and long-term perspectives is watching the process of warming up the feelings. But there were only one or two sparks, and only soot remained. The de-dramatic presentation method can be as gentle and profound as "Wild Reed" when it is used brilliantly, and it can be as sweet and tasteless as "Love is Strange" when it is used blindly. The film is somewhere in between, with near-perfect audiovisuals and a nearly failed storytelling to construct a Carroll-like dish with plenty of ingredients, only lacking in salt. The most successful thing is that Meiling is willing to become a habitual existence, and the failure is that this beauty has too much sense of security, but there is no passion at all. The so-called point to the end, not to stop at light taste. With its screenwriter James' previous work "Morris" as the version, the ambiguous tension between Morris and Cliff is almost more exciting than more naked bed tumbling, so the final result is regrettable, "The Crushed diamonds, still shining in annihilation." Comparing the director's previous work "I Am Love" horizontally, the heroine has made several choices between contradictions, and finally the determination to burn up the wealth of this life for a handful of dry wood and fire is enough to make people tremble. Falling in love with this film is the most tolerant, because it is good-looking, but if you look back after a long time, you may not think about it. It makes every boy think of himself as Elio, and men want to be Olive, they are Venus among men, two versions before and after the broken arm, one finally leaves the arm clenched in real life, the other Willing to let go of your arms, for the beauty of one issue and one meeting. 7.5, maybe heartbreak is the most beautiful look of love.

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Extended Reading
  • Madelyn 2022-03-20 09:01:33

    After seeing him off, the young man sat on the platform bench for a while. The scorching sun was dazzling, but his limbs were cold. Obviously there is still a long life, but in a trance to finish in one summer. With all the love, such as fresh peach juice wasted. In this world, there are many encounters between a young boy who has just come out of the rivers and lakes and a single husband who has experienced vicissitudes of life. Meeting me is just the fate of calling me by your name. If fate runs out, don't meet again.

  • Orin 2022-03-18 09:01:04

    It's so embarrassing to call my name...

Call Me by Your Name quotes

  • Elio: Just watch, this is how he'll say goodbye to us when the time comes, with his, "Later."

    Annella Perlman: Meanwhile we'll have to put up with him for six long weeks, won't we, darling?

    Mr. Perlman: I think he's shy. You'll grow to like him.

    Elio: What if I grow to hate him?

  • Oliver: [to Elio playing the guitar] Sounds nice.

    Elio: I thought you didn't like it.

    Oliver: [looks at Elio, looks away again] Play it again, will you?

    Elio: [walks into the house] Follow me.

    Oliver: [Elio plays the piano] That sounds different; did you change it?

    Elio: I changed it a little bit.

    Oliver: Why?

    Elio: I just played it the way Liszt would have played it if he'd altered Bach's version.

    Oliver: Play that again.

    Elio: Play what again?

    Oliver: The thing you played outside.

    Elio: Oh, you want me to play the thing I played outside?

    Oliver: Please.

    Oliver: [after Elio plays] I can't believe you changed it again!

    Elio: Oh, I changed it a little bit.

    Oliver: Yeah. Why?

    Elio: I just played it the way Busoni would have played it if he'd altered Liszt's version.

    Oliver: And what is wrong with Bach the way Bach would have played Bach's version?

    Elio: [interrupting] Bach never wrote it for the guitar. In fact, they're not even sure Bach even wrote it.

    Oliver: Forget I asked!

    Elio: [Elio plays] It's young Bach. He dedicated it to his brother.