At the end, Richard's innocent smile when he saw the photo was simply weird, "I always believe in heaven, but it's not about where to go, but an inner experience. When you find that moment, it's eternity." To clarify this truth, I actually used the composition skills taught by primary and secondary school teachers-the ending point.
So, the experience of living as a savage in the forest, setting up a situation to kill four young people, and suffocating the patient to death all flowed out of Richard's body like a fart? Imagine the little loli in Hard Candy in the last shot, throwing off her bag and wearing a little red hood and walking towards her life, laughing intimately and innocently with her classmates on campus, or Alexander in "into the wild" leaving the wasteland He went back to modern life and found a job, because of his strong will and different understanding of life, which he has cultivated in the wasteland, he is proud of his career in the workplace...god damn it!
It is said that the director has shattered the ideals of many backpackers, and utopia has been shattered. However, many backpackers are no longer interpreting backpacker culture. Everyone wants to get rid of their shackles, change places, and even cross the ocean, but they all want to find someone Settle down comfortably, but - for what purpose? Or many people think that they are different from others, that their gameplay is the most original, integrated into the local cultural customs, and desperately want to draw a clear line with ordinary tourists.
What is a backpacker? It's not the north face, it's not a lonely planet, it's clear mountains, clear waters, deserts and lonely smoke, wild suburbs and ridges, prosperous cities, ancient roads and west wind highways, drunk and sing-along, dined, and slept, eating cold buns and drinking cold water, knowing bitterness and joy. Utopia? Clam, all in mind.
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