Every cell in MATT DAMON's body is a drama. His slightly stupid back and lonely and helpless sideline allow the character of GEORGE to maintain a faint but indestructible distance from the normal population. This distance is often called loneliness. Finally, he glanced at MARY, and suddenly saw her near death, and heard her reading everything he could see for a long time. Many people criticized this kind of love. Watching "Dragon Race", there is a thing called Blood Sorrow. It is this kind of different things in the blood that makes a person lonely for a long time, and he can’t find a companion or the same kind. Chu Zihang is like this. He seems to have been lonely for thousands of years, glamorous. If you don't understand, you won't go along even if you are understood. In the middle of the night, the crowd is full of joy, only oneself, only oneself. GEORGE met this person who could walk with him, and he should have wanted to collapse and cry at that moment. For thousands of miles, only you can walk with me, who is so lonely. On the contrary, I was deeply moved by the love of two lonely people. Because of understanding, because of yearning, I am very moved.
A few years ago, "BABEL" looked down on Oscars, and Mexican director Alejandro González Iñárritu was so happy that his segmented structure suddenly shined for the world to learn from. "HEREAFTER" now reproduces this structured movie after a lapse of 4 years. It still shuttles through the three stories. Finally, these three people gather together at the end, striving to watch the emotional sublimation. My mood was sublimated a bit early. When my brother called his brother, the little boy wore his brother’s hat, silently, ran away, looked for, and didn’t give up, just to hear what his brother wanted to say to him in the end. He wants to know where his brother has gone. Tears couldn't stop streaming down. A mother who doesn't have a father and needs to take care of herself at a young age, a pair of brothers with a deep heart, and a pair of brothers who depend on each other.
JASON and MARX said that the hat belonged to him, not his, so don't wear it anymore. I was slightly stunned, and something fateful came to my mind, that hat should be on that subway train. So this life must end early no matter when, MARX is not the owner of that hat, he has to walk a long life. Just like "Reaper", the beginning and the end of everything are fixed. Don't let go of something, let alone lose the present. The brothers' process of finding each other is more and more worth pondering. One looks for the other in the real world, and the other finds himself faster in the nihility world. No one knows what the rules are in nihility, but if you are not here now, you can live your life well, and you will go to this world in the future. Take care of the life there.
Disaster is not the subject, the shot is still real. Eastwood piled up a bunch of small things and finally these small things merged into a larger and broader theme. These three different lives are all discussing death, one deliberately avoiding the death of one's own eyes, one ignorant wanting to understand what one feels, and one constantly searching for the final destination of the death of a loved one. Death is a mysterious power. In the past two days, there have been disasters. Seeing the widespread fester in the news, I feel uncomfortable and don't know what language to describe. We all live on the same platform, and when the other side is not good, our own will be sad. The environment in front of you belongs to everyone. Nature is always there, and people are only the smallest group. I really hope that everyone can respect life, the life of nature, and all life.
Watching 4 such 5-star movies in a row, what does life want to tell me?
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