It took a long time for the movie to start before Yuan Bin appeared. Absent-mindedly picking the food for lunch, he bought a bunch of white roses. He lived like a zombie, and his heart died the moment his wife and unborn child died together. I thought that other things in the world had nothing to do with him, but at this time a little girl named Xiaomi broke into his world recklessly and unceremoniously. "Uncle is the underworld?", "Uncle these flowers are really beautiful", "Uncle knows what your nickname is?" With the childishness and childishness unique to children, Xiaomi speaks everything A strange chemical reaction slowly occurred in the uncle's heart.
"Uncle, do you hate me like this? Uncle is actually more annoying than a child who calls me like a beggar. However, I still won't hate uncle. Because if you and I hate even you, there will be no me in this world. I like something." This is a sad and sentimental confession from a child. I also regard this passage as a turning point that caused the emotional change in the uncle's heart. Maybe it's the same disease, maybe it's slowly being warmed up, or maybe it's treating Xiaomi as an unborn child; in short, Xiaomi's existence is like a panacea, slowly urging the uncle's already dead heart bit by bit.
Yuan Bin’s psychological changes are also interesting. At the beginning, he said to Xiaomi "Don't touch other people's things" and turned her away like everyone else; but when he came across Xiaomi who was caught stealing something on the street, he became concerned and cared about her. . The basis is that at the end of the film, Yuan Bin explained to Xiaomi that he could not come forward to recognize each other because "the more I want to recognize each other, the less dare I dare to recognize each other". When you don’t care about a person, you can pretend that it’s her father who came forward and think that she is relieved without pressure; but when you start to care about and care about this person, you will even be yourself because she has done such a thing. Feeling ashamed, unable to step forward to help her lie.
And it is with these emotional changes that Yuan Bin's uncle will go to the sword to save Xiaomi from the fire. Because he has lost his loved one once, and he has no fear of life and death. When Xiaomi saved his heart, it also meant that he tied the heart to Xiaomi's body. If he loses Xiaomi again, then the world loses its meaning to him again-few people can accept two such blows, which is why he wanted to shoot himself when he mistakenly thought that Xiaomi was dead. So after watching this movie, I also began to understand the feeling of the friend at the beginning of the article, "No more grief than death".
While the movie is dazzling and dizzying, it also conveys the concept of "salvation of the soul". There is a small detail in the film that Xiaomi helped the injured master put a band-aid on his forehead. It may be this kind of action that made the master finally decide to save Xiaomi from the doctor's hands. The eyes that were picked were from the doctor. Not Xiaomi's. Regarding "Salvation of the Mind", the same feeling also happened when I watched Korean movies such as "The Kindly Gold" and "Mask". I think Korean screenwriters are always good at conveying such subtle changes in human emotions through superficial events, so their film and television works will be popular in various countries. It is these subtle depictions of human emotions that always make people booing after reading them.
I didn’t watch many Korean movies last year, but I think this movie deserves to be the best quality movie in Korea in 2010. If Won Bin’s acting skills in "Mother" have been weakened by the role setting and acting elder sister Da Jin Huizi, then in this uncle, he has brought his acting skills and handsomeness to the fullest. In the words of Douyou, his performance in this movie is enough to "broke the curvy girl straight and the straight man bend." This handsome star who started to accompany me in my most emotional adolescence undoubtedly proved that he is not as simple as a vase. Therefore, the title of this film review will also be given to my dear Mr. Yuan Bin.
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