Sister Jinglei, why is the love?

Marcelino 2021-12-16 08:01:10

This is a surprising work. In New York, the female anchor who has suffered many hardships, saves the show, and finally succeeds in her career. She is an old-fashioned partner. . . This déjà vu and decent configuration makes people not expect much from the movie itself. I went to watch another "Dulala" or "The Devil's Head". So the whole film was watched in one go, with a good mood and constant joy. Let people call out:'Too spiritual'.

In contrast, "Dulala" was decisively lost. How can Xu Jinglei's love be so embarrassing. It is also an inspirational drama in the workplace, it is also an insult to romantic love, and it is also a challenge that cannot be accomplished; you see that the gods and horses can distinguish the priority and the love in the workplace is not wrong, while making the inspirational drama full and worthwhile It also maintains a sense of humor, without being surrounded by famous brands, but still sets off the protagonist.

Sister Jinglei, a talented girl. . . .

It's too aura, I don't know if it is too much. In fact, I want to praise Rachel's performance more. This is because the girl who has always done the vase to the end is able to support a whole movie with her strong affinity. Wow. I thought that only Julie and Aunt May could do it in Hollywood. Those all kinds of smiles that kill the little bitterness of the village, all kinds of stupi and messy little body language, all kinds of hustle and bustle (in contrast to the B in the last episode of GG is also busy People's performances can really float...), a variety of it girl styles that flash like mtv with fast-paced soundtracks. How to put it, it's very likable. Yep. Likable.

What? Harrison Ford? Do you remember what he did in the film? It can be said that if this film is not boldly polished by Rachel's aura of performance, it really won't be impressive. It can be said that this film from Rachel's is like Donnie Yen to Ye Wen-it wouldn't be a magical horse without her film. I wanted to say that I saw Annie's shadow from her (there is indeed a tendency to run towards Annie's trail), but it is a bit unfair to say so. Two people actually belong to the same age group and grade, and it is not certain who is more powerful (although Annie is more vulnerable). In fact, both of them can work towards succeeding Julia Roberts's national sweetheart position.

The whole film is carried out in an orderly and slightly tight rhythm. Although the middle section is still inspiring, we can look at it less harshly, because I think it is indeed good enough in the same type of film. Of course, this sense of rhythm is based on that clichéd story. With movies like "The Devil's Head" as the shoulders of giants, it will not be difficult to grasp the rhythm. So what is incomprehensible is that the "Boston Globe" will comment on "not paying attention to the rhythm" as one of the biggest mistakes of the whole film. The idea of ​​film critics is not that you want to guess well, you can guess well if you want to guess.

The laugh points are also well laid out. The big laugh points and the small laugh points are staggered and appear in the film in a consistent manner, allowing the audience to maintain a rhythmic change. Just right and pleasant. Except for a small display of selfless and clumsy sense of humor, everything is pretty good. And there are a few places that really make people unable to laugh and laugh out loud.

Of course, Rachel’s performance does not need to be mentioned, Harrison Ford’s slow, deliberately unhumorous humor has some wonderful things. In order to create such a serious and rigid character, it can be seen that Ford was too restrained and restricted his performance. Not only would he not be successful, Rachel would steal the limelight, and he would be very incompatible with the film. (I understand that he is trying to portray such a character, I mean "too restrained") It was only in the second half that this would create a unique spark and amused the audience.

No matter the plot, the overall rhythm, the style, and even the heroine just mentioned in the whole film, there is a taste of "The Devil's Head", which can be said to be exactly the same as the Devil's Head. I checked it and found out that the screenwriter was really the same person as the "Devil's Head". This fellow can be described as a professional Hollywood urban white-collar inspirational romantic film. In addition to this film and "The Devil", she also has "Bride Step Aside Flash". There are not many on the resume, but three boutiques are enough to hold the place. The script of this man is very meticulous to portray the character and the good at heart. I originally imagined that she kept repeating herself and questioning it, but once I thought about it, let's forget it; for the American young brides, why bother to be so okay.


I am not qualified to interpret the film from the perspective of the film, nor do I see the technical aspects of the film. I just noticed that the shot Rachel went into the lobby for an interview with "Today" was not horizontal but a very angled lens. I understand that photography may want to make the picture special, but it is really confusing and clumsy.

The appearance of 50 cents was a pleasant surprise, but the flurry of demons in the studio was a little bit. . . The soundtrack of the dance of demons is not clear enough. Substandard.

Bonus points for Natasha Bedingfield's theme song.

As mentioned earlier, I think this is a surprisingly excellent film. So that the bad reputation of the film in the North American critics is a bit confusing. Really, you will never understand that the critics are thinking about the magical horse, and you will never figure out the criteria of the critics.

It doesn't matter to him. This film made me happy. I think it's good. Enough.

What about being a idiot.

ps: This is a film review that was harmonized because of paying the cubs. To give birth. Go to Google. . . . I can't find it, soy oil. thanks

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Extended Reading
  • Lon 2022-04-23 07:02:21

    In an alternative universe Becky took the Today Show's offer and joined NBC, and in several years became one of the women that accused Matt Lauer in the #metoo movement.

  • Gennaro 2022-03-24 09:02:01

    The logic is strange and the layout is simple. Mike moved me~ McAdams is really old and really beautiful, and Keaton is also great! But it can't save the roughness of the movie.

Morning Glory quotes

  • Mike Pomeroy: I'm going to appear on national television, in front of ..what, six or eight people.

  • Becky Fuller: Oh, come on, everyone. I slept on the couch.

    Mike Pomeroy: Until I woke her up with my African rain stick.