The sisters Rose (Amy Adams) and Norah (Emily Blunt) are engaged in "behind the scenes" environmental cleaning. They cleared the bloody scenes of the incident, but they couldn't get rid of the childhood memories of their mother cutting her wrists and committing suicide. Norah extended his mother's nostalgia to the little things left behind by his mother, even the unfinished cigarettes of his mother. In the private sector, there is a professional space that cannot tolerate "cleaning".
Once cleaning the room of a deceased old woman, she found a wallet to hold her daughter's photos from childhood, so she arbitrarily wanted to contact that daughter Lynn (Mary Lynn Rajskub). Instead of helping the other party (proving that the other party is totally unappreciative), it is better to say that it is self-compensation.
At first, Norah dared not express his intentions, so he had to pretend to donate blood and take the opportunity to talk. For some reason, she has not dared to say it clearly, and as a result, Lynn's girl-girl complex meets Norah's Oedipus complex. Lynn mistakenly thought that Norah was pursuing her intentionally.
Norah's dress is full of pull codes, smoky makeup, tattoos, leather bracelets, cool pants, flat shoes, vests, etc., as well as her attitude towards Lynn, like a suitor. But just after Lynn was suggestively biting the candy collar strung around her neck, the next scene was that Norah had intercourse with a man, indicating that she was heterosexual.
But at the same time, the dull eyes of Norah and the opposite sex gave Lazi a lot of imagination, as if Norah-Lynn could still develop. Unfortunately, at the end of the showdown, Norah just wanted to tell the other party about the loss of his mother. Lynn went away in anger, and the passages that Norah went back to Lynn circulated on the Internet were all deleted before the official release.
Norah's undirected feelings follow her at the end of the film, not knowing where to go. However, we can be fortunate to see Mary Lynn Rajskub's performance, presenting the rare image of Lazi on the screen with a unique sense of joy.
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