The balance between the real cruel violence and the impact of violence on life is the key to good humor. The film is obviously too focused on humor, for example, there are too many lines in the processing. It is straightforward to resemble the burden of a general comedy. In addition, even if Jesse Eisenberg’s performance is in place, it feels like a comedy. The exaggerated Indian arrangement is greatly reduced, and it is funny no matter how you look at it. It feels that the planned Dwyane performance is very brilliant. This imbalance in the arrangement caused the film to have an awkward feeling. It is not a complete comedy, but the black is not in place, but the black environment written in the script can be reflected in the details in the details under the premise of being funny. Ruben Frescher is a good film noir director.
The performance is in place, not only Eisenberg and Dwyane, but the Spaniard in the film called the painful section in front of the mirror to contribute to the film's half-hour arrangement of the real world while also showing off his acting skills. I have to say that the actors have done their best.
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