in the World War, the protagonist, let alone fight against aliens, can't even talk about face-to-face encounters. The only two close encounters were when the foreigner was digging a hole outside the ruins. The protagonist was too scared to move and stayed in the ruins for a week. After the foreigner left, he dared to take a look.
The second time, after the foreigner died of the virus, the protagonist ran over to look at the corpse.
The whole story is about the protagonist drifting along among the ruined walls and refugees, living on the belief that he wants to see his family.
I think the reason it became a masterpiece is not because of the age, but because it represents a state after life is suddenly interrupted. It didn't even give an explanation (the protagonist almost collapsed, don't know what to do, and then the foreigner died), because it was originally chaotic.
And if you repeat the same thing every day, it’s enough to appreciate the chaos
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film is very traditional in design and overall structure. It may be because of cost issues that many parts of the production are not clear, but I think the bottom line is better than many "science fiction films". Taller. As the subject of "foreign body aggression", the basic settings have allowed most viewers to enter a state where there is no good way to do it if it were me.
In the plot, the foreigners came suddenly, what are they going to do, I don’t know, they started to kill, fuck, I ran away, and finally I ran away, I also knew what they were going to do. The whole world has entered a state, am in. In many complete
roles, the slut didn't understand the value of the collective (stealing the creativity of friends, pushing girls into the arms of foreigners) and ended up acting alone.
The Golden Retriever girl has always liked to agree with her friends. She has no opinion and no adventurous spirit, and she finally hangs on her eggs.
Gao Fushuai is Gao Fushuai. At the beginning, he played the image of a healthy person. He told the two girls: Diosi is responsible for creativity, and he will do the rest. With good grades and a sense of responsibility, I ended up saving people naturally.
Diaosi Nan is described by Gao Fushuai as "he is a man who hits opportunities everywhere." And with a face like a dick, he even went to carry the bartender during the first massacre. Of course it is the guy who survived the science fiction story.
Mrs. Diaosi belongs to the woman a typical science fiction writer likes: act according to the steps, listen to the group, and don't make trouble. Survived.
Uncle Sergey, a neurotic scientist, since the mission is completed, he must go to justice generously, not for fear of death.
Little sister: "I am strong". OK, in science fiction, as long as a woman is strong, she must be fine.
A bunch of Russian soldiers-although seriously questioning the international spirit of this film, brave men, anyway, are not afraid of death, there is no need to kill them in particular.
So...
Compared to many movies that don't know what they are doing, this is not a problem.
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