The more people are lacking, the more they need to find something to make up for, so I choose romantic films that take the warm route.
The first male protagonist was dazzled by the photo of the female protagonist in the ruins of the battlefield full of smoke. I thought to myself, does the screenwriter want to say that the next love story is predestined?
Resist the urge to close the movie, and continue to lean on the bed to enjoy it. He went to find the heroine in the photo in order to thank her for saving her life. At this point, I had the urge to switch to other movies. Everything is too logical. It's like you find something and then just find the owner. But when the female lead appeared in front of the male lead, I wanted to say that the female lead dazzled my eyes with such beauty.
When the male lead rented a dilapidated house, I knew that a new beautiful love story had begun. In the sun-drenched jungle, holding the dog, walking around. On the bridge, he looked at her playing with dogs in the stream. It seems that good love always starts with an enemy, and he accepts her prejudice against him. The male protagonist in the film instantly formed the image of a guardian in my mind. He is mysterious, he is charming, he is calm, he is gentle, he is kind, he is omnipotent... and these heroines slowly discovered over time.
The female protagonist has a lovely Zhengtai son, and the co-production with the male protagonist makes people think that they are just good brothers and friends, instead of imagining the male protagonist as a future stepfather. Encouragement in front of Zhengtai's cabin, happened to be heard by Zhengtai playing the piano, in conjunction with Zhengtai's active performance of magic... These clips all show the male lead's tenderness.
I think the female lead’s acceptance of the male lead was from when she lost control of her emotions, a shoulder, a hug, and a kiss are all infinite comfort. He grabbed her soul, and she fell in love with him.
If there are no bad people in a film, then there will be no defects, then there will be no regrets, then it will not be remembered.
The heroine's ex-husband played the role of this bastard. He is a good bastard because he loves his son and doesn't force the heroine too much. He just interfered, interfered with their good life. Where there are bastards, there are heroes. The hero is a choice made from the heart to defeat the bad guys. However, the bastard died like that to save his son, and I think his role is a bit pitiful. It confirms a sentence-poor people must be hateful.
--"Why did you come here?"
--"To find you." The
screenwriter complicates the plain love story and affects not the ex-husband, not the son, but a photo.
She shut him away because of the photos he found, and he searched for her on foot because of the photos he found. The first half of the sentence is the effect, and the second half is the cause.
I think these romantic films always like to turn goodness into regret. When the heroine is tangled in reason and sensibility, the love he left behind wakes her up.
In the setting sun, the trees on the roadside changed into a warm afterglow coat, and the male lead was walking alone on the road without people. At this moment, the female lead came running from the corner, she called the lead, and he turned his head.
--Don't go. You belong here. With us.
Just like this, love is back again.
Beautiful love still exists.
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