Mornau used a very realistic approach to the film. Not only did he abandon the expressionist image of "Dr. Caligari", he even replaced the studio setting with a real street scene. But Mornau was still cold when creating a gloomy atmosphere. It's chilling. The old castle on the mountain was looming in the thick fog, and the zombies slowly swept across the deck on the bumpy boat, and so on. The atmosphere of many natural environments is covered with a mysterious color under the treatment of Murnau. Murnau experimented with deep-focus photography in this film, showing infinite potential in image composition. This film is considered to be the most poetic horror film, and in terms of visual imagination, it surpasses all later Drogula films. In contrast, the 1931 "Dracula" (also translated as "Vampire") (Dracula) is like a Disney adaptation. The male protagonist's dehumanized shape (pointed ears, long nails, skull-like face) has become a classic. Due to the failure to reach an agreement with the original author’s widow, Drogula’s name is not used in the film. The film implies a threat to the middle class and the scientific rationality they believe in. "Shadow of the Vampire" (2000) is a hypothesis about the story behind the filming. The 1979 German remake was directed by Herzog.
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