There are five endings in the film. The first is the
atrical version (theatrical version):
emily lives with Katherine and seems to be in good condition. Finally, after Katherine walks out of the house, the camera gradually turns from the vase to the painting. In emily Next to his head, there is an extra head, which is the other side of emily.
It selects two images: katherine and painting. Katherine represents the regaining of the replaced family, which is used to embody the center of the movie. Another intention is to paint, to imply that the suspense and horror are not over yet.
Additional ending 1. The
plot of the happy drawing is the same as the theater version, except that after the two left, there are only two people in the painting, katherine and emily, and a happy ending.
Additional ending 2. Life with kathrine is
at Kathrine's house. After the conversation, emily did not ask to open the door. As a result, after Kathrine left, emily lay on the bed, and then began to count, one one thousand, two one thousand... ...
A model of the black ending, the two images are the most important closing and hide and seek in the movie. Closing the door represents the lack and irreplaceability of family affection, which completely extends the theme of the movie. hide and seek perfectly explains the ending technique of the suspense movie. At the same time, the two elements of suspense and affection complement each other, keeping the tone of the whole movie to the last second.
Additional ending 3.a final game
emily is treated in the hospital where Katherine is located, emily asks to open the door a gap, after katherine is gone, emily starts counting like ending 2...
The door is opened, which means the family love is obtained, and the counting means the continuation of suspense. These two propositions are in conflict in terms of expressiveness. In any movie, no matter how high the status of suspense, it must serve the main theme, and this suspense seems to be completely independent of the ending. The director's arrangement for this ending actually shows his pursuit of structure in the bottom of his heart. Let's talk about the door first. From the beginning of the film, the mother opens, then the father closes in the middle of the film, and then opens at the end. This on-off-on process is an important feature of the seemingly gorgeous structure, and it is also the table tennis of perfectionists. Then, the intention to hide and seek is of course indispensable. This ending shows that structuring can destroy the harmony of movies or novels to some extent.
Additional ending 4. Emily's fate is the
same as additional ending 3, also in the ward. After the conversation, emily asked to open the door a crack, but Katherine did not open. After she left the room, a male doctor of a colleague asked: "how about her ? "(how is she?) katherine replied:
"! TOMMOROW the I by will Come for the back hER, the I by will not give up the About hER "(I'll come back to see her tomorrow, I do not want to give up her)
real ending, Family affection is irreplaceable in some respects and can in others. .
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