It's a very tense film, and every shot and dialogue can't be missed. It took me three times to figure out the details I wanted to figure out.
There is a clear line in the film that it is necessary to restore the details of the case and what happened after the incident.
The dark line is, who is the "lawyer"? Lawyers are pressing step by step, what do they want? An important reminder is that when the male protagonist mentioned that the boy in the sinking car was still alive, the "lawyer" lost control of his emotions. It was at that time that I doubted the true identity of the lawyer for the first time.
The "lawyer" keeps putting pressure on the male protagonist: expose the flaws in his lies, make him believe that she can help him get out of the crime, and throw out some details that he didn't expect she knew, and even he didn't know: the male protagonist is sinking Car, the male protagonist was summoned by the police for a car accident, and the boy's father was staring at him opposite...
How much does a "lawyer" know before pressing it? The "lawyer" and her husband passed the girl's performance on the day of the accident, the car marks on the scene, her mobile phone, and her reaction when they questioned the male protagonist face to face. The girl called them to reveal the information, and they have restored the facts. The purpose of her entire interrogation was: 1. Find the location of the sinking car 2. Ask him to admit that he killed the girl
It would be very difficult to exonerate him for the two murders of him.
Watching this film can experience multiple psychological pressures: taking in the role of a "lawyer", worrying about breaking the gang, taking in the male protagonist, to find out the truth of the lie, and as an audience, to restore the truth... Really brain-burning ah!
This is a very relieved ending in the movie. The murderer of the rich, powerful, and unscrupulous successful people finally admits the truth in the persistent struggle of the parents of the deceased who are smart and brave, and the reality is. . . ?
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