Although I have maintained the habit of not directly understanding the plot before watching the movie, according to the usual practice, I still nag the plot here (not too much, students who have not watched the movie can watch it with confidence). And I think just reading this script can make you squeaky enough. In the mid-1990s, in the small town of Sheffield in the UK that was heavily run over by the huge wheel of "economic depression", the living environment gradually deteriorated and deteriorated. The fear of everyone in danger and the blankness of looking at each other suddenly became the main theme of the workers living in the lower class. The workers in the steel plant must have been laid off. A pair of workers in the workshop, who are also the best losers, gaz (Robert Carlyle) and Dave (Mark Addy), are the epitome of two typical poor and unlucky people who belonged to the background of that era. The factory closed down, and there was nowhere to start. Their lives were nothing more than sneaky reselling stolen scrap iron, or wandering the streets and smilingly scoring the breasts of oncoming women. In the days of idleness all day long, it is not because of this that each other feels so depressed, on the contrary, they are very contented. But gaz, who is penniless and has a son, is not without trouble. Because of gaz's divorce from his ex-wife, his son Nathan (William Snape) naturally asked the court to award a stable job to the mother who had reorganized the family. This forced him to face the fact that he lived separately from his son. Unable to pay for the upbringing expenses, gaz has obviously lost his last spiritual support in life, which makes him miserable. Gaz, who is in urgent need of a lawsuit to regain custody of the child, has to start looking for a way to get the corresponding money in a short period of time. By chance, he watched a male striptease show in a club in town. Gaz, who is eager to make money, feels that this is not a bad idea, and the most important thing is that there are considerable rewards. So eagerly pulling Dave, who was reluctant to join, began a series of preparatory activities. Gaz and Dave rescued Lomper (Steve Huison), who was desperate for death at the time during a morning run and exercise, and promised to make this worker who belonged to the same factory eventually die of homicide. The same dilemma in life also caused the three to become brothers in chat. Of course, the trials of the catastrophe brought by life will not be distinguished at this time. The three hapless former bosses Gerald (Tom Wilkinson) is also experiencing the embarrassment of unemployment. The three of them knew that they had the habit of going to ballroom dance classes, so they decided to let this outdated boss with a little dance cell become the "art director" of their dance group. After going through gaz's thankless persuasion and the overwhelming force, Gerald finally couldn't stand it. I had to start facing the reality that made him extremely embarrassing; I had to put aside the arrogance and arrogance that once used to face his subordinates for the time being to create this new "dance career". Then the four began to hold sea elections in the town, recruiting troops all the way. Eventually got the old dance king, now the old Horse (Paul Barber) and Guy (Hugo Speer), who is not proficient in singing, writing and playing, only good at organ shows. As a result, the six-person lineup was finally determined, and began to challenge the ruthless and cruel real life as a dance group. Thus began to trigger a crazy, ridiculous story.
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