broke the rules

Brenna 2022-04-20 09:01:40

I vaguely remember that the Korean version seems to have two endings at the end. It is said that the latter reunion picture is a compromise for fans, and the former cruel ending is the consistent ending of the film.

When the film uses the time and space machine, it makes a big taboo in this industry.
From the days of its pioneer robot cat, we know that the past is the past, and the present cannot change the future. Another American sweet sister, Meg Ryan, also followed the historical trail quite well in her "Kate and Leopold".

The American version of the film always thinks of a happy ending, so when I first saw it, I was thinking about how the director would change history without revealing anything.
Unfortunately, this is really not just a problem that can be solved with a creative idea.
It's telling a story that could break people at any time, because logically it can't justify itself. If you want to enter the play, you must first anaesthetize the basic common sense you have accumulated over the years, and then you can watch this tender story.

Among the three prosperous sweet sisters, it seems that now only Julia Roberts can still struggle to compete with those younger and sweeter girls for a piece of love and light comedy in the image of intellectual beauty. Meg Ryan's dream of having a second spring with a dew point not only failed, but also shattered all the sweet fantasies that remained in people's hearts. What about Sandra Bullock? In order to help the former screen lover turn the tide, Levi's did not hesitate to lower his own value. But I don't know if this friendship can move the more discerning audience. hope so!

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Extended Reading
  • Colten 2022-04-24 07:01:05

    Petty bourgeoisie's lakeside cottage, two years of high school listening to movie audio to sleep~

  • Forrest 2022-03-26 09:01:04

    Not as good as expected

The Lake House quotes

  • Alex: There should be a stairway down to the water, a porch, a deck. Here, you're in a - in a box. A glass box with a view to everything that's around you... but you can't touch it. No interconnection between you and what you're looking at.

    Henry Wyler: I don't know, you know. He's got this big maple growing right in the middle of the house.

    Alex: Containment.

    [He pushes a button which opens a glass door]

    Alex: Containment and control. This house is about ownership, not connection. I mean, it's beautiful. Seductive, even. But, it's incomplete.

    [He pauses]

    Alex: It was all about him. Dad knew how to build a house, not a home. But you know... I think he wants us to do what he couldn't. But, admitting that would mean admitting that he came up short in some way... that he could do more. And that tortures him.

    Henry Wyler: Do you remembering being here with Mom?

    Alex: I remember she tried to make it work here... with us... with him.

  • [from trailer]

    Alex: This house is about connections.