Behind the brilliance of heroes - Clinder Eastwood's "The Banner of the Fathers"

Angie 2022-10-21 05:01:00

History has already commented on the victory or defeat of a war, so there is nothing to reflect on. The old cowboy chose a perspective other than the simple conclusion of justice and evil to re-examine a war. American reflection is not necessarily clever, It's always so new.

There is a barrier that is not easy to pierce between history and reality, perhaps because the barrier is too thick, perhaps because it is too secretive, making it difficult for people to see clearly, perhaps because the lens is slightly cheap, and the truth exists in another way.

The Old Cowboy's "Banner of the Fathers" did not choose a traditional war routine, telling how the US military was deployed, how the Japanese military was deployed, how the US military landed, and how the Japanese army defended. Starting with the famous photos, in the way of memories and memories, it examines a war and the human nature in the war from a new angle.

It is not an easy thing to make a responsible comment for someone who has never experienced war. Those young lives could have enjoyed the sunshine and rain just like you. When they went to the battlefield for justice, they also abandoned themselves. to death.

War is a test of blood and fire, and the value of life is re-evaluated in this extreme environment. The film formed by accidental history has made five ordinary lives reach the peak of honor, and this huge honor belt What gives them life is their inner imbalance, which is also a juncture of the film's focus. They are not the soldiers who raised the flag for the first time, but coincidentally because the photo has become a symbol, enduring the pain in their hearts to shoulder the country The mission of political propaganda, the guilt of facing the embarrassing gaze of the mother of the dead comrade-in-arms, and the difficult survival under the spotlight of the principle after the glory.

For these glorious lives left on the battlefield, the most memorable moment is not the glorious moment when the national flag was raised, but the unknown moment when everyone went swimming together in the sea at the end of the fierce battle.

The film’s attitude towards war reflection is sincere, which is also one of the strengths of American war-themed films—a sense of introspection. From a technical point of view, the narrative method of the film’s use of memories and memories makes the narrative subject less prominent, and the time-space switching appears to be inconspicuous. Scattered, the rhythm is not strong, especially the ending paragraph, the explanation is too hasty, which is really regrettable, but fortunately there is a later "Letter from Iwo Jima" to make up for this shortcoming.

This article was written on 2007-07-13 and can only be published this way for well-known reasons

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Extended Reading
  • Christine 2022-04-21 08:01:02

    Eastwood is an old scum, the older the better, the more perfect, this film and "Letters from Iwo Jima" can be called double walls!

  • Darron 2022-04-21 08:01:02

    The old man gave me moved and strength again, not because of how bloody and heroic he photographed, but because he photographed the truth of human nature. The picture is dark, the scene is Hongdae, and the war scene is quite real, especially the guitar minor background soundtrack in the second half, which is very moving. PS: As long as necessary, heroes can be made up, such as in a certain place. 8

Flags of Our Fathers quotes

  • Captain Severance: This isn't just any island to them. This isn't Tarawa, Guam, Tinian, or Saipan. This is Japanese soil, sacred ground. Twelve thousand Japanese defenders in eight square miles, they will not leave politely, gentlemen! It's up to us to convince them.

  • Ira Hayes: Hank wasn't in the picture.

    Bud Gerber: Sorry?

    Ira Hayes: Hank didn't raise that flag. He raised the other one. The real flag.

    Bud Gerber: The what? The real... the real flag? There's a *real* flag?

    John "Doc" Bradley: Yeah, ours was the replacement flag. We put it up when they took the other one down.

    Bud Gerber: Am I the only one getting a headache here? You know about this?

    Keyes Beech: It was after it was already in the papers. The mothers had already been told by then.

    Bud Gerber: Aw, that's it, that's beautiful. Yeah, that's beautiful. Yeah, why tell me? I'm only the guy that has to explain it to a hundred and fifty million Americans. Who is in the goddamn picture? Are *any* of you guys in the goddamn picture?

    Ira Hayes: Yeah, we're in the goddamn picture.

    Bud Gerber: Six guys raising a flag over Iwo Jima. Victory is ours. You're three of them, right?

    John "Doc" Bradley: This was the fifth day, sir. The battle went on for thirty-five more.

    Bud Gerber: Well, what'd you do, raise a goddamn flag every time you stopped for lunch?

    Ira Hayes: [whispers to Bradley] Can I hit this guy?