It's all directed at Hoffman. To be honest, I am not a fan of him. I only watched Pirate Radio and the New York metaphor in his masterpieces-the latter was passively watched in the first semester of film class in the United States-at the time the listening was not completely passed, let alone It's such an obscure movie, I can't remember the plot of the movie after 3 years. Nevertheless, when I heard the news of his death due to overdose, I was very shocked. At that time, the Hunger Games 2 was still not off the shelves. He played the game designer in it, and Revolution has his credit. I looked at his pictures on the news and felt very familiar. So I checked his information and found that he was such a talented actor, but he stopped at the age of 47. Yes, just like those who have posted Weibo to commemorate the death of Steve Jobs, in fact, they have never used an Apple product, but express their regret deeply. Just treat me as superficial. I just want to watch Hoffman's last one. Works.
I don’t want to discuss acting. Every actor is an acting school. Which one does not have his own masterpiece? From the beginning of the film, the audience followed Hoffman to watch how he buys time to appease the informant, put a long line to catch the big fish, step by step until the net is closed-watching the target finally take the bait-call, you are done, the highly tense nerves are finally relaxed, but they are receiving In the next minute, use the speed you can't respond to to ruin the happy ending. Oh, I'm sorry, it turns out that Hoffman is also a fish, and a larger net is waiting for him to catch it. As an audience, you can only be like Hoffman, all shocked, helpless, angry and desperate except yelling F word. What is that sentence, praying mantis catching cicada, oriole behind?
I thought the little warmth between Hoffman and Robin Wright would come to the end, when he said the phrase "To make the world a safer place, isn't that enough?", she knew she had gained his trust. I thought there would be a possibility of development between Issa and the female lawyer. When he leaned on her and cried, she knew that she had gained his trust. However, after reading it, think about it, isn't it full of betrayal? When the spy is doomed to be betrayed, the son has to betray his biological father; Hoffman guides Issa to catch the big fish for Hoffman without telling his client, the female lawyer has no choice but to betray Issa; and the biggest betrayal that ends is also given to The audience causes the biggest psychological gap. She looked at him with complicated eyes, and finally waved her hand and told the driver to drive away. Issa was arrested and the female lawyer was struggling frantically. On the same day, she gave him her passport, and he gave her his mother's bracelet. Look at Hoffman in the wind, suddenly he is much older. Desperate, lost soul, defeated and defeated.
At the end of the movie, he got out of the car and walked forward until he couldn't see him, and stopped abruptly. What will happen next, I kept thinking while looking at his face while driving. Will he resign? Will he commit suicide? No? After all, this is the only thing in his life except for the piano music of cigarettes and spirits.
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