Broadway live version vs movie version

Kayleigh 2022-04-20 09:01:41

Broadway musicals seem to be often confused with operas in China. As everyone knows, the Broadway musical is one of the symbols of the "popular" spirit of New York, which is very different from the opera in the spring and the snow. To put it simply, the history of musicals is much shorter, the musical expressions are more diverse, the singing is popular, and dialogues can be added, all for the purpose of highlighting the plot; while opera was born in Italy and originated from the theater music of ancient Greek dramas. There are only two ways to sing aria and recitative, and the emphasis is on enjoying the music. Clearly the characteristic of musicals is to be more accessible to the masses. So Broadway is not a sanctuary-like place of classical grandeur, but a place of leisure, passion, and art at the same time.



The most famous musical is of course The Phantom of the Opera. In order to prevent the scene from being confused, I previewed the movie version of "The Phantom of the Opera" at home. Every song is sweet and full of emotion, and it is also catchy. It can be said that it is a work full of sincerity and sincerity. He also worked hard on character design, such as the ghostly and passionate Phantom, the angelic Christine, the young and infatuated Viscount, and the colorful and exaggerated Carlotta, the witty two theater managers, the experienced Mrs. Giry, and the pure The young Meg and other supporting roles are intertwined with various tones, coupled with a poignant and mysterious love story, which is definitely a first-class audio-visual enjoyment.



Although the movie version is adapted from the stage version, it obviously takes advantage of all the advantages of the movie. In fact, listening to the original sound after the fact is not so good, but with the picture, it is very infectious, almost impeccable, especially the Phantom's voice that is like another world. There are also some elements that the movie could use to its advantage, such as the duel between the Phantom and the Viscount, the tones of memories of the past, and a more evocative ending. In contrast, the live version I watched at the Majestic Theater, The Phantom's characteristic voice can be compared with the movie version, while the image and singing skills of the heroine and the Viscount are worse. But the live version has more exciting things that the movie can't give. First, the sound effects of the live performance of the theater band are nothing to say, and secondly, the scene scheduling and transformation of the small stage are like magic fast, precise, ingenious, and the falling big The chandeliers, the fantastic presence of the countless candles in the water in the Phantom Underground Castle are all pleasing to the eye. All in all, this is a show worth watching for both versions.

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Extended Reading
  • Rachelle 2021-11-20 08:01:42

    The tragic nature of the film is not inferior because of the simplicity of the plot. On the contrary, the complexity caused by the atypical character of the characters and the tragic nature caused by the complicated relationship between the characters. The film is like an old wine, although not so. Exciting, but intoxicating, endless aftertaste.

  • Alysa 2021-11-20 08:01:42

    "I am an opera weirdo. Is it uglier than you think? I am an ominous weirdo, burned by the fire of hell, but I still yearn for heaven!"

The Phantom of the Opera quotes

  • Christine: I remember... there was mist. Swirling mist upon a vast glassy lake... There were candles all around, and on the lake there was a boat... And in the boat, there was a man.

    [walks over to the Phantom, at his organ]

    Christine: Who was that shape in the shadows? Whose is that face in the mask?

    [touches his face and rips of mask]

    The Phantom: [covers face] Damn you! You little prying Pandora! You little demon! Is this what you wanted to see? Curse you! You little lying Delilah! You little *viper*! Now you cannot ever be free! Damn you! Curse you!

    [now sad]

    The Phantom: Stranger than you dreamt it, can you even bear to look, or dare to think of me?... This lonesome gargoyle who burns in hell but secretly yearns for heaven secretly, secretly but Christine... fear can turn to love you'll learn to see to find the man behind the monster this... repulsive carcass that seems a beast but secretly dreams of beauty secretly, secretly...

    [crying]

    The Phantom: Oh, Christine.

    [Christine hands him the mask]

    The Phantom: Come. We must return. Those two fools who run my theater will be missing you.

  • The Phantom: [sung] Christine Daae has returned to you, and I am anxious her career should progress. In the new production of "Il Muto", you will therefore cast Carlotta... as the Pageboy, and put Ms. Daae in the role of Countess. The role which Ms. Daae plays calls for charm and appeal. The role of the Pageboy is silent, which makes my casting- in a word... ideal.

    [spoken]

    The Phantom: I shall watch the performance from my normal seat in Box Five, which *will* be kept empty for me. Should these commands be ignored, a disaster beyond your imaginations will occur. I remain, gentlemen, you obedient servant. O. G.