nice.

Dorian 2022-08-21 13:55:18

It's been so long that I forgot to look at it. I was fortunate enough to open it today, maybe this is "his will".

First of all, let me say something, I just thought of I, Tonya, no matter how "realistic" the movie is, it is still an illusion of realism after all. Because it is storytelling, as long as the person who tells it changes the way, the effect of telling it will be different. Storytellers, filmmakers, will always have the ability to switch opposites.

Secondly, there are too many points that can be associated or expressed. Check it out for yourself and have your own opinion. But I guess if you really look into it, you probably won't be able to say anything. There is too much to say, and to express it through correct and precise language, it will consume a lot of real and direct shocks and insights. Something amazing, confusing, mysterious.

In the end, it is possible to photograph a religious subject so full of "divine" beauty and "human nature" reality, beautiful, spectacular, trickling and majestic, human and divine connection, and mutual guidance between human beings. More than two hours were not tormented at all, which definitely tested the skill of the screenwriter and director. The photography is also very good, the scenes are switched, and it is obvious that the film was obviously changed when the Pope abdicated, or the texture is different. I don't know how to say it (please forgive my ignorance), some clips imitate the documentary technique, etc., and mastery of the glorious panorama. When it comes to brilliant panorama, it must be said of fine art, which is simply perfect, not to mention. There is a place in the sound that is very obvious. Let's see it for yourself, and you will definitely know it when you see it. The music is also very good, Bella ciao has been laughed at.

At the end of the football, the atmosphere of the whole film changed from gloomy to cheerful. It's amazing, and it's unexpected that religious stories will go to football. Perhaps this is the connection between humanity and divinity, and God loves football too.

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Extended Reading
  • Casey 2022-04-24 07:01:14

    Although it is said that biopics will tend to beautify their masters, but after watching this film, Francis has an inexplicable affection for Francis, and he is worthy of being a left-wing pope. It's also very cool to watch two old dramas. Jonathan Pryce is so suitable for this role. I used to watch the old man play the president and the big sparrow, and now he finally plays the pope.

  • Arden 2022-04-23 07:02:31

    4.5 "I can't hear the voice of God" Pope Benedict faced what may be the most serious moral crisis in the history of the Vatican. His self-doubt was also a manifestation of introspection, but God's theophany allowed him to be in a state of coincidence. The most disgusting Bergoglio became the new pope. The film explores the dialectics of change and compromise. Should the church adapt to the times? Should we speak out for the injustice of the moment? Bergoglio's enlightened and bravery brought the Vatican to life, and I thought Merrill's signature quick cuts didn't quite fit the film's temperament, but they turned out great, diluting those long stretches of time. Dialogue makes serious subjects easy, and even the confession between the two popes is very dramatic. Merrill's biographical film also fires at the current world of conservatism. The higher and higher walls are built, The attitude of distinguishing between the enemy and the enemy by race, freedom has become a beast, the poor and the rich seem to live in hell and heaven, and the church has to do nothing more than connect bridges and tear down walls, just like football and music, the beauty of the world comes from to the happiness of countless mortals

The Two Popes quotes

  • Pope Francis: And remind you that truth may be vital, but without love, it is unbearable. Caritas in veritate.

  • Pope Francis: We are seeing a globalization of indifference. There is a culture of conflict, which makes us think only of ourselves. Makes us live in soap bubbles which, however lovely, are also insubstantial. We've become used to the suffering of others. It doesn't affect me. No one in our world feels responsible. Who is responsible for the blood of our brothers and sisters? The refugees washed up on the shores of the Mediterranean? I don't have anything to do with it.Must be someone else. Certainly, not me. When no one is to blame everyone is to blame.