? Just finished watching 3, nothing amazing. When I watched 2 before, I was thinking, is this really a follow-up to 1? Why can't it be compared to 1 at all. Although it was the first one I watched in 1978, I forgot the specific plot development, but I still remember in my mind the feeling that it brought me amazing excitement, blood and blood after reading it, but I still have no idea. Always something unforgettable. I remember the first time the male protagonist met Toothless. Although he was afraid, he still stretched out his palm like it leaned in. When he saw Toothless lightly resting his forehead on the male protagonist's palm, it was really touching. The male protagonist is a little lame, and the end of Toothless's tail is also missing half. People and dragons support and grow up with each other, which really touches people's hearts. Even if you revisit 1, the feeling of watching it back then will still be there. 2 I vaguely remember that I took the family route and found my mother. I remember a scene where my mother and father danced arm in arm. Then my father died. Emm I couldn't believe it after watching 2 back then. Such a mediocre, tension-free conflict, and a movie without a climax was actually called "How to Train Your Dragon".
? The plot is not compact and full of tension. The third part felt messy at the beginning, the protagonists set fire to rob the imprisoned dragon, without any foreshadowing. After liberating the dragon, when he returned to his own island, everyone gathered to drink and there was still chaos, without any explanation for the aftermath. When I saw the sentence "one day you will always encounter a battle you can't win", I was a little excited, thinking that there would be a big reversal next, and the protagonists would have a real big setback or something. As a result, the villains were very weak throughout the whole process, even if the male protagonist was slightly defeated by the villains, seeing this scene, as an audience, I subconsciously guessed: the male protagonist will not go into self-doubt because of this failure. It's a trick. Sure enough, two minutes of self-doubt began. It feels like the plot is failure for failure's sake, self-doubt for self-doubt's sake. The male protagonist doubted himself, and the female protagonist went online with chicken soup for the soul. Sure enough, after a few words, the male protagonist got better. When the male protagonist is a little more aware of danger in times of peace and is about to propose "moving the capital", he subconsciously regards this as a point of dramatic conflict, and some people will definitely object. After all, in history, Emperor Xiaowen reformed and moved the capital, and it was not easy for Emperor Hongwu to move the capital. As a result, the islanders at the bottom shouted in disapproval, and then the male protagonist spoke out for two minutes, and everyone agreed again. Sure enough, the protagonist's halo is invincible.
When the male and female protagonists discovered the hidden place, they saw Toothless roar inside, and the group of dragons below bowed to the ground to "kow down". I typed out slowly? ? ? Without foreshadowing, Toothless is a ready-made dragon king.
I gave the villain several shots of the purple test tube. I always thought that when Toothless or its female ticket was shot by the villain, it would go mad or hurt the male protagonist. As a result...every time Toothless was shot, he collapsed weakly in his limbs. The one who dared to shoot was not a control agent/manic agent, but an anesthetic...
?The protagonist has no room to grow, and the supporting characters are too flat. There is no contradiction or conflict, just a pot of warm water. The mother that the male protagonist found in the last movie has no obvious valuable existence in this movie. The supporting characters are too noisy. Of course, I understand that this is the different character of the characters, but there is really a feeling that they are forcibly laughing and shaking their burdens. There are so many dragons drawn, but the most impressive thing to the audience is Yesha, and other various dragons really eat lotus root too much, it is simply better to not lack.
?The most touching thing is that I finally let Toothless be free, but it is also a bit stiff, as if the words have arrived there. Another touching point is that the male protagonist and Toothless Boy met again a few years later. Toothless boy pretended not to recognize the male protagonist at first, and reproduced the scene in the first part. The male protagonist took the ✋ slowly. Approaching, Toothless pressed his forehead up.
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