This is the impression of dragons in the minds of Western producers, directors, and artists, and they basically stay between reptiles, lizards and snakes. The images are too skinny, and the images are flexible and curved in water and land, but they are also based on There are a lot of laughs here; the whole background story is narrated at the beginning of the film, and the traditional Chinese paper-cut method is used to present a lively dragon on the paper; in the impression of Westerners, the dragon is an animal that belongs to The fictional image that is somewhat demonized is also in the film, which leads to the story, but in the traditional concept of the Chinese, the dragon is a totem species with a beautiful meaning, reflecting the director's understanding of oriental culture, Ponga. The hair on the head of the patriarch is gathered in a bun, and the cooking techniques are mostly Southeast Asian types. Even the architecture of each tribe is fully drawn from the various countries of Theravada Buddhism. Whether to enter the hall or the cave where the dragon crystal is stored; the process of being petrified is like the process of the formation of the Terracotta Warriors, and most of them are a unified action. Holding a water in both hands is the expectation of a better life at the end of life. ;
Let's talk about the plot. The development of the plot is relatively smooth. The protagonist is kind and bullied by dogs. He embarks on the road of self-redemption. Knowing that, the other is actually to take the initiative to hand out an olive branch. Both Shisu and Raya tried many times to use their own olive branch to evoke that Marie, and finally they did it.
The dragon-themed movies are almost running out of short and powerful names, and a slight deviation will dim the light of the movie. In general, this is a movie far beyond the name.
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