or mask

Theodore 2022-03-26 09:01:05

Three brushes. 1. Ending with the beginning and end of the film itself, the symbols of the old film are constantly interspersed and reproduced (penis, Jesus, lamb, child, old man), Bergman kneads his sincerity and all kinds of past experiences into a rubbing mask. Resurrection boy, looking directly at the most real suffering and suffering of human inner emotions in the incoherent and deep dream. The screen that is intended to be a mirror is the entrance for the audience to enter the character's thoughts. 2. Women are Bergman's favorite narrative carriers and anatomical objects. He is also used to depicting women as individuals and extending them to refer to the macro level of society. Two women who are placed in the same situation and reflect each other, the listener who refuses to communicate and the narrator who is eager to communicate, the faces overlap and the split personality. Society, family, stage, no matter where we are, we can't strip away the mask. | "Every time you wake up from a dream, be vigilant: how others see you, and who you really are; every deceitful saying, every fake expression, every bitter smile. You won't choose suicide, but you can be silent" . 3. Boiling water, glass slag. 4. The repetition of text paragraphs, high-contrast light sources set off the characters' thoughts. (9.5/10)

Angela 2021-12-07 08:01:40

The story is simple, the theme is deep and heavy; the surface is calm, and the bottom is turbulent and shocking. I am also a temporary aphasia, but only temporarily, I still continue to speak, because I can't get rid of reality and the crowd.