Even thinking about her mental state and her lost face at that time is cruel, not to mention seeing her like this in the film with her own eyes.
I can only say that Vivien Leigh's acting skills have reached the point where she is not an actor, and her interpretation basically makes it impossible to tell whether it is the character or herself. Whether it's Gone with the Wind or Desire, in front of the camera, she has probably completely integrated herself with the character.
It's heartbreaking to watch the milf Blanche coquettishly coquettish in front of her brother-in-law and Mickey. Is this the peerless Scarlett of the year? . . . Although it is still a perfect jaw, an elegant smile, and a look of hope and brilliance, the wrinkles on the forehead and the vicissitudes of the fish tail remind us that the beauty is old. . .
The three scenes are the most memorable:
First, she, who had just quarreled with her brother-in-law and ended the showdown, walked outside the door with her sister, and she suddenly raised her head to see the stars in the sky, her eyes were full of brilliance, sincere and simple. Express admiration: The starry sky here is really brilliant.
Second, Mickey turned on the light and forced her to stand under the strong light to see her old face, her eyes of shame and despair.
Third, Mickey said, "You are not clean enough, I can't marry you, and I can't take you to see my mother." She began to collapse. After driving Mickey away, she screamed in despair outside the door. Then he ran home, closed all the windows, turned off all the lights, and shivered behind the curtains. . .
The combination of Vivien Leigh and Marlon Brando is historic and cannot be replicated. If it wasn't for him, how could the desire be so overwhelming; if it wasn't for her, how could the despair be so shocking.
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