Reality is still a dream.

Douglas 2022-10-01 11:36:56



He wanders between reality and dreams, taking us with him.
Touch what he feels, the ever-changing and always unbreakable walls.

This is a film with almost no dialogue.
It tells the story of the growth of a boy named Pink Floyd.
He lost his father in World War II when he was young, and then grew up under the excessive protection of his mother.
As an adult, he became a rock singer and became addicted to drugs. Crazy in the end.

Seemingly simple plot. Based on the real experiences of the two members of Pink Floyd.
Among them, Pink's childhood situation is basically the same as that of Roger Waters.
Life in adulthood is very similar to Syd Barret's.
In 1979, Pink Floyd recorded an album called The Wall, and
three years later, the film of the same name was born as an addition or extension to the album.

There is hardly a single line of dialogue, and the development of the plot is only driven by those interlaced pictures and music and songs.
In the flickering images, there are both tender memories and violent scars.
The most shocking thing is those inexplicable animated logos. Black eagle, flower, skull, hammer, cross.
It seems meaningless, presented abruptly.
But it makes people feel vaguely and firmly that they do symbolize some real existence.
Not to mention music, of course, is a sound that has been washed by time without fading.

It's worth mentioning the film, and what that album is trying to say to us.
Lost the wall.
Because of the film's unconventional narrative, it's hard to grasp the film's soul in the way that it usually captures it.
It seems that only by relaxing and fully immersed in the confused, ever-changing imagery
can one feel the depth of its subject matter and a very blunt impact.
However, it may also fall into a slightly impetuous mood in the film,
as if he is also a part of those black and white or multicolored pictures.

As for what the wall is. Since everyone can have their own interpretation,
that surrounds us, we try to break through, but will eventually become one with it.
Lost the wall.

Forget who once commented on it:
"The Wall is not a pleasant, comfortable film,
not only because of its simplicity and mirror-language banality,
but also cruel and violent, and noisy scenes, Cynical mood."
But the film's instant excitement and final punch,
if you stick to it, I recommend it because it's powerful.
In my opinion, "The Wall" is one of the alternative and iconic films that pushed rock music to its peak. "

In this paragraph, there is a set of shots where PINK falls into the swimming pool,
the water in the swimming pool turns from blue to red, PINK struggles hard, and the scene is as follows:
PINK is lying in the swimming pool, the water is blue, and the water is blue
. PINK is lying in the swimming pool, and the water is blue Shot-pulling the shot-the whole
PINK struggling in the blue water Pushing the whole
PINK struggling in the blue water Panning the whole (7 times in total, the speed increases)
PINK's father's body fixed shot The whole
PINK struggling in the red water (blood)
(stack) PINK struggling in blue water panning (2 times in total)
PINK struggling in blue water panning (rotating)
PINK struggling in red water (blood) panning (rotating)
PINK struggling in red water (blood ) ) struggling in the fixed shot
PINK struggling in red water (blood) Fixed shot Full
PINK struggling in red water (blood) Panning (spin)
PINK struggling in red water (blood) Fixed shot Full
PINK struggling in red water (blood) Fixed shot
PINK is struggling in red water (blood) Pull the shot full - Daquan
Explosion flame Fixed shot
PINK struggling in red water (blood) Fixed shot
PINK's father's terrified face close-up
PINK is struggling in red water (blood) Fixed ( A total of 3 times)
A ​​mask with a steel helmet is fixed in the camera close-up
PINK is struggling in the red water (blood) Fixed (4 times in total)
PINK is lying peacefully in the red water (blood) pulling the camera full-Daquan (stack)
flipped album -Fixed the photo of PINK's father -Pushing the camera close -Close-up
In this scene of externalizing PINK's inner struggle,
a total of 34 shots were used in 1 minute and 8 seconds, and the
fast editing made people feel dazzling and fascinated chaos.
commendable.

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Extended Reading

Pink Floyd: The Wall quotes

  • Pink: [speaking and screaming into megaphone] The worms will convince outside Brixton Bud Station will be moving along at about twelve o' clock down Stockwell road, and then point will start heading Abbots road and walk calmly with resistance, leaving twelve minutes to three will be moving along Lambeth road towards Vauxhall Bridge. Now when we get to the other side of Vauxhall Bridge where in the Westminster brought area it's quite possible we may encounter some Jew boys all the way from four and five and take them back by the way we go. And they came Midds Abbots and we saw them killed! Million of gay people screaming murder, murder came all around and shoot! Remember to make it to high clock corner or all of you are killed! Were in the door! now close the door, close the damn door! the door! the door! the door!

  • Playground Father: [pushing kids on roundabout] Easy, be careful.

    Playground Father: [Little Pink tugs his coat] What?

    Little Pink: Will you put me on that?

    Playground Father: Well where's your mum at?

    Little Pink: She's gone to the shops.

    Playground Father: Yes all right.

    Playground Father: [Pushes little pink and the other kids on the roundabout] How's that then enjoying it?

    Playground Father: Ooh Wabba lovely lovely.

    Playground Father: [Little Pink follows him] What you again?

    [shoos him away]

    Playground Father: Off you go, Go on.

    Playground Father: [Little pink still follows him much to the Mans annoyance] What have I told you about this? What have I told you; your not mine. Now sling your hook, Go on sling your hook.

    Little Pink: [walks to a swing set by himself and sits down as he sees many children playing with their parents, and frowns]