When I read it last year, I thought it was talking about race and the Algerian war, two things that French intellectuals couldn't "hide".
Looking at it again today, I found that Michael Haneke was talking about intellectuals. I can't understand it. The crisis of trust and human sadness brought about by the high vigilance life state, Haneke has extracted the inferiority of intellectuals. , show us a bloody suicide shot.
"Dodge" is the culmination of Haneke's previous films. I like his way of telling stories so much. He deliberately used the detective suspense of "Who the hell is making the tape?" I'll give you the answer, otherwise Dodge would be half a detective movie. It is even more unnecessary to guess the answer. Haneke is not here at all, it is just a trick he played.
"Evasion" is pulling the tendons of intellectuals and peeling the skins of all of us.
The video style is the same as his own glacier trilogy, lingering, long-shot composition, sudden violence, but "Dodge" has played a lot of fancy aesthetics with video tape, which is rarely in Haneke's previous films See.
The last long shot, the first time I watched it, I was trying to figure out the intention. I thought it had something to do with racial coexistence, but now I can't interpret it.
The following is a quote from leftear's speech at 2007-4-7 22:35:00:
From the perspective of Michael Haneke's narratological ambitions,
I have a very pretentious answer here. The
video was filmed by Michael Haneke and
directed . After those few tapes, the director intervened in the film narrative itself...
This point of view can be explained by a large paper, or it can be understood as very boring and boring. The
following is a quote from leftear on 2007-4-7 21:38 :00's speech:
I don't think Haneke is mocking the inferiority of intellectuals in "Hidden". He looks at intellectuals from a pessimistic perspective. Like Wang Xiaobo's "The Age of Black
Iron . It's that old-fashioned word again later, but the power comes from there.
"Hidden" has a lot of sophisticated narratology, such as the conversion of camera subject and object, the transition from the second medium to reality.
For us, it is a wonderful experience to gain a peeping angle for no reason~
In a certain sense Said, "Hidden" aggravated my curiosity and expectation for the Darney brothers' book "The Child", what kind of film can win the Palme d'Or from a film with a clear expression and a solemn approach like "Hidden" .
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