Woody Allen’s characters have symbolic features. You will see changes in the circumstances of the characters, but the essential character will never change. This is more obvious in the supporting role. Not only is this stereotype not rigid, but it creates a unique humor. It satirizes religion through the mouth of the cynical dad and the big brother of the gang boss, and insinuates the pedantic dogmatism from the moderate brother-in-law. The rich and powerful are naturally the old man's indispensable joke to the upper class.
In terms of the protagonist configuration, you can fully understand why the old man loves Jesse. He is simply a young version of the old man. He can read the verbose lines straightforwardly and quickly in a short period of time without making people feel that the headache is his unique skill. Yes, this is very Alan. As for the sense of violation on KS, it is very strange. In the general impression, she is completely the opposite of elegant and dreamy. The bow on her head just wants to jump off her head in a minute, but this kind of violation gives this passage a sense of violation. The trivial triangle relationship brings a bit of fun, and it can be regarded as a gain and a loss.
Because the background of the era was set in the 1930s, the picture and lens switching of the film also restored the brilliant and stable style of the 1930s. In addition, I have to mention the music. The first thing I do when I go back after watching a Woody Allen movie is to search for the OST. After all, jazz is the spiritual opium of mankind. On the whole, the quality is good in all aspects, and it is not too pleasant to lose the standard. It can only be said that the old man is testing the water again with the new style.
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